Has there ever been a better-looking feature-length animated film than `Finding Nemo'? We doubt it. With its shimmering underwater landscapes - be they in the vast immensity of a limitless ocean or the cramped confines of a dentist office aquarium - the film sports a look unlike anything we have ever seen before. The fish tank setting, in particular, is a veritable wonderland of eye-popping, many-hued visual splendor.
Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).
Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.
Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.
As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.
Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).
Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.
Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.
As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.