When life gives you lemons, make lemonade. When life gives you nothing, you do what you can. For the inhabitants of Cidade de Deus (the City of God) one of the most notorious favelas (slums) outside of Rio de Janeiro that often means relying on crime to survive. The inhabitants' problems are exacerbated by indiscriminate gun battles waged by gangs trying to control the drug trade, and cops whose interrogation techniques consist of shooting first and beating confessions out of the survivors.
The City of God is a pseudo-documentary based on real individuals and events that dominated the affairs of the slum in question for a period of two decades. The cast of characters includes Rocket, the kid who hopes to use his camera to escape the slums, Bene, the gentleman gangster and diplomat, Knockout Ned, one of the `good guys' who gets caught up in the maelstrom of madness, and Li'l Ze the sociopathic crime lord who's always ready to dole out death. The performances in the film are top notch, especially when you realize that most of the participants aren't actors, consequently the emotions on display are raw, edgy and true to life. While several scenes initially appear overblown you quickly realize that the seemingly senseless violence is such that to play it any other way would be disingenuous.
The gritty texture, harsh lighting and occasional jerky camera sequences enhance the film's documentary feel, rather than appearing gimmicky (unlike the host of cinema verite flicks of the past few years ) The director also makes use of Pulp Fiction style folding time lines, and snappy editing to ensure that the pacing doesn't stagnate, and is careful not to leave any loose ends.
City of God treats the viewer to a brutal firsthand view of the poverty/crime cycle that thrives in the worlds slums. Its in-your-face approach and disturbing ending begs the disturbing question, what happens if this destructive juggernaut ever organizes and decides to leave the confines of the ghetto?
The City of God is a pseudo-documentary based on real individuals and events that dominated the affairs of the slum in question for a period of two decades. The cast of characters includes Rocket, the kid who hopes to use his camera to escape the slums, Bene, the gentleman gangster and diplomat, Knockout Ned, one of the `good guys' who gets caught up in the maelstrom of madness, and Li'l Ze the sociopathic crime lord who's always ready to dole out death. The performances in the film are top notch, especially when you realize that most of the participants aren't actors, consequently the emotions on display are raw, edgy and true to life. While several scenes initially appear overblown you quickly realize that the seemingly senseless violence is such that to play it any other way would be disingenuous.
The gritty texture, harsh lighting and occasional jerky camera sequences enhance the film's documentary feel, rather than appearing gimmicky (unlike the host of cinema verite flicks of the past few years ) The director also makes use of Pulp Fiction style folding time lines, and snappy editing to ensure that the pacing doesn't stagnate, and is careful not to leave any loose ends.
City of God treats the viewer to a brutal firsthand view of the poverty/crime cycle that thrives in the worlds slums. Its in-your-face approach and disturbing ending begs the disturbing question, what happens if this destructive juggernaut ever organizes and decides to leave the confines of the ghetto?