A film which will be remembered primarily for the physical transformation of Charlize Theron into Aileen Wuornos, the female serial killer who was executed in 2002. I appreciated the bravura acting of Ms. Theron, but it seems to me to be another product of what I call the Rainman Syndrome.someone who takes physical mannerisms and gross caricature in the service of a socially marginalized character (be they mentally or physically handicapped or suffer from some form of psychosis) and builds a performance primarily out of those elements. Throw in some Austin Powers teeth and feathered hair, and you've got the Oscar wrapped up. I also felt the real heart of the story was that of Selby. Here is the true tragedy.a shy young woman who gradually accepts her homosexuality and fights a running battle with her family and peers. She sees the strength and fighting spirit in Wuornos, and begins to assert herself because of it. She is marginalized, but she is not a sociopath. Fortunately for her, she comes to realize the depths of Wuornos mental illness and her crimes. She is saved by her social conscience, but Wuornos is not. It is also a tragedy that such a clearly ill woman is executed, but this is only dealt with in a throwaway manner in the film's ultimate scene. I think Ricci's performance is in some ways more touching and heartfelt, subtle and therefore unsung. To me, Wuornos clearly had no chance from the get-go. Although her defiance and desperation were palpable, she really had no where to go once the inciting incident (the first murder) occurred. One annoyance: the rock soundtrack used to underscore the blossoming sexual energy between Theron and Ricci. I felt it was inappropriate to employ the kind of crass manipulative technique which would be more at home in a Joe Eszterhas movie, rather than in a sober portrayal of a real life serial killer.
