4/10
not terribly good, but one of writer/producer Yordan's better ones
20 November 2004
Miles better than some of the other movies of the 1980s and 1990s Philip Yordan was responsible for, but still pretty shoddy and odd.

It starts off with a text scroll and voice-over explaining how the world isn't safe anymore, and how a bunch of people came to be killed in a coffee shop. We then see the bodies in the coffee shop. We then see the events leading up to that massacre.

Harry is a strange man working in a garage. It's unclear if he is retarded or what exactly, since his behavior from scene to scene isn't entirely consistent. He's taken a car engine apart neatly and completely, but he can't figure out how to put even two pieces back together again (evidently he's usually very good at it). He's fired and his brother is called to come help him. Harry later walks into a church, singing along as he walks down the center aisle, naked. He's hospitalized where he proves to be very hostile with the Doctor there, but is released for lack of space and funding.

Harry's older brother sets him up in an abandoned hotel he owns that still has electricity and plumbing. How much of what follows is real is unclear, since Harry seems to have very vivid hallucinations. Some punks who've snuck into the hotel give him trouble. Harry imagines he sees a bellhop and some of the former tenants of the hotel (shades of The Shining). He talks to his teddy bear, and hears it talking back to him (I was reminded of the boy in 1981's The Pit). He evidently has an ex-wife as well (she's in several scenes), or maybe she isn't real, I'm really not sure. He receives outpatient treatment from the Doctor who discharged him. He has some fantasies about he he can't separate from reality.
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