Director Nico Mastorakis has made a cynical cash-grabber (by his own admission) that is too cynical to impress anybody but a sophomore genre fan.
The most extreme, confronting genre pics, to paraphrase a character in VIDEODROME, "have a philosophy"; that is what makes them dangerous.
ISLAND OF DEATH's philosophy is to throw many "shocking" elements into a cinematic mix and stir slowly. The result is a dish with no taste but an ugly appearance.
Not to be confused with Serrador's brilliant WHO COULD KILL A CHILD? (sometimes called ISLAND OF DEATH), Mastorakis's effort is set on a Greek island which is a stage for various forms of slaughter, a little bestiality and some wholesale perversion.
Everything moves at a snailish pace and the violent set pieces are poorly directed.
Touted as "The movie that the censors didn't want you to see", I'd hazard a guess that the censors never saw it, they simply read the presskit until their knees jerked upwards.
The most extreme, confronting genre pics, to paraphrase a character in VIDEODROME, "have a philosophy"; that is what makes them dangerous.
ISLAND OF DEATH's philosophy is to throw many "shocking" elements into a cinematic mix and stir slowly. The result is a dish with no taste but an ugly appearance.
Not to be confused with Serrador's brilliant WHO COULD KILL A CHILD? (sometimes called ISLAND OF DEATH), Mastorakis's effort is set on a Greek island which is a stage for various forms of slaughter, a little bestiality and some wholesale perversion.
Everything moves at a snailish pace and the violent set pieces are poorly directed.
Touted as "The movie that the censors didn't want you to see", I'd hazard a guess that the censors never saw it, they simply read the presskit until their knees jerked upwards.