DEATH LINE
(USA: Raw Meat)
Aspect ratio: 1.85:1
Sound format: Mono
Trapped by falling masonry during construction of the London Underground, a group of Victorian workers survive in the bowels of the earth for more than a century, breeding amongst themselves and cannibalizing the dead. A hundred years after their ordeal began, the last remaining descendant (Hugh Armstrong) finds his way back to the surface and begins to abduct people from station platforms in a desperate bid for food and companionship...
With its unique premise and uncompromising attention to grisly detail, Gary Sherman's directorial feature debut has gained something of a cult reputation over the years, and not without good reason. Dominated by Donald Pleasence's central performance as a cynical copper who treats everyone - innocent and guilty alike - with equal contempt, the film strikes a precarious balance between eccentricity and horror, reaching its emotional highpoint during scenes depicting Armstrong's ghoulish underground 'home', strewn with rotting corpses. Art direction (by Denis Gordon-Orr) and cinematography (by veteran Alex Thomson) are uniformly excellent, generating a vivid illusion of ancient decay, and the production benefits from atmospheric location work in abandoned train stations dating back to the Victorian era.
Juvenile leads David Ladd and Sharon Gurney are a dreary pair, and they're completely overshadowed by Pleasence's crowd-pleasing theatrics, but the film survives by virtue of its distinctive plot line and extraordinary setting, and there's at least ONE good scare that will lift viewers right out of their seats! Casual observers may find the opening scenes a little heavy-going, but Ceri Jones' admirable screenplay describes a fascinating narrative arc, and horror fans will be gripped throughout. Christopher Lee exchanges fruity insults with Pleasence during a brief cameo appearance, shot in a couple of hours and intended solely for marquee value.
(USA: Raw Meat)
Aspect ratio: 1.85:1
Sound format: Mono
Trapped by falling masonry during construction of the London Underground, a group of Victorian workers survive in the bowels of the earth for more than a century, breeding amongst themselves and cannibalizing the dead. A hundred years after their ordeal began, the last remaining descendant (Hugh Armstrong) finds his way back to the surface and begins to abduct people from station platforms in a desperate bid for food and companionship...
With its unique premise and uncompromising attention to grisly detail, Gary Sherman's directorial feature debut has gained something of a cult reputation over the years, and not without good reason. Dominated by Donald Pleasence's central performance as a cynical copper who treats everyone - innocent and guilty alike - with equal contempt, the film strikes a precarious balance between eccentricity and horror, reaching its emotional highpoint during scenes depicting Armstrong's ghoulish underground 'home', strewn with rotting corpses. Art direction (by Denis Gordon-Orr) and cinematography (by veteran Alex Thomson) are uniformly excellent, generating a vivid illusion of ancient decay, and the production benefits from atmospheric location work in abandoned train stations dating back to the Victorian era.
Juvenile leads David Ladd and Sharon Gurney are a dreary pair, and they're completely overshadowed by Pleasence's crowd-pleasing theatrics, but the film survives by virtue of its distinctive plot line and extraordinary setting, and there's at least ONE good scare that will lift viewers right out of their seats! Casual observers may find the opening scenes a little heavy-going, but Ceri Jones' admirable screenplay describes a fascinating narrative arc, and horror fans will be gripped throughout. Christopher Lee exchanges fruity insults with Pleasence during a brief cameo appearance, shot in a couple of hours and intended solely for marquee value.