This may be the funniest movie released in 2004. I am hard pressed to find a comparable example of shameless propaganda and selective use of data. Such a shallow presentation of the status quo undermines that political ideology it represents. This film should be archived with such classics as "Reefer Madness" as a narrow minded, vanilla, prefabricated analysis to complex issues. Not how all previous US support the Taliban regime and for Saddam is omitted. In addition, the present generous support for the Karimov regime is absent. I especially liked the sentimental conclusion set to the music of Holst. This film furthers the notion that conservative art is a leading oxymoron of our epoch.
