Satan's Triangle (1975 TV Movie)
10/10
The best of the "Bermuda Triangle" movies
7 March 2005
Forget that this is a TV movie filmed on a small budget, and that it doesn't have a gigantic ocean-liner like "Ghost Ship" or "Lost Voyage". This is definitely the scariest "derelict ship" movie that Hollywood has ever made. (So naturally, you almost NEVER see this movie on TV. But that's another issue, for another time.)

Rescue pilot Doug McClure and his companion, Michael Conrad, are sent to answer an SOS call from a small yacht at sea. Conrad is leery because the location is at the center of the Bermuda Triangle, but McClure dismisses his fears.

However, when McClure gets to the ship, he finds a lone woman survivor, Kim Novak. Malfunctions force Conrad to return to base, leaving McClure and Novak on board the yacht. She tells him of a mysterious force in the triangle that killed everyone else on board. However, McClure's practical nature allows him to look for, and find, plausible explanations for everything that happened.

When Conrad comes back to pick them up the next morning, the movie takes an entirely different turn. I won't tell you what it is, but it's one of the most terrific shockers I've ever seen in a film. What a great ending! It still creeps me out thinking about it.

God bless the late William Read Woodfield, who penned the script. He was one of Hollywood's most prolific -- and QUALITY -- TV writers. Director Sutton Roley was also used to filming Things That Go Bump In The Night, having lensed such shows as "The Sixth Sense", "Lost in Space" and "The Invaders", so he's clearly in his element here. Leonard South's beautiful yet disorienting camera work and Johnny Pate's eerie music add to the atmosphere. The only "bad" part of this movie is the first thirty seconds, which contain a rather cheesy opening title and narrative defining what the Bermuda Triangle is for the audience. After that, the movie generates plenty of creeps and scares.

This movie is extremely hard to find, so if you see it scheduled on TV, CATCH IT. It has a beauty and simplicity that's lacking in the bigger-budget features that followed, and it's got a helluva surprise at the end.
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