When Rankin and Bass unveiled their version of Tolkien's "The Hobbit" in 1977, it was a charming if abbreviated made-for-television animated film that was fun and even a bit scary. Their voice casting choices were fine, especially Richard Boone, whose cancer-rasped voice brought the dragon Smaug to life, and Theodore as the creepy and loathsome Gollum, who evoked fear and disgust but little pity. In 1978, Ralph Bakshi attempted to bring the first half of "The Lord of the Rings" trilogy to the big screen in his lushly animated epic. Unfortunately, his big-budget film flopped, much to the disappointment of Tolkien's fans, and Bakshi would be unable to make his sequel. In an effort to finish off the unfinished series, Rankin and Bass tried to make their own version to satisfy the audience who wanted to see closure. It was and remains an unmitigated disaster.
Why is this cartoon so awful? Well, the answer lies mainly in the word "cartoon". Unlike The Hobbit, which featured beautifully painted scenery that evoked delicate watercolors and ethereal linework, which had so evidently been crafted with loving care and cast with thought to matching characters to actors, The Return of the King had all the earmarks of having been hastily cobbled together. It wasn't so much an animated homage to a great writer's work as a hatchet job. A huge chunk of the events in Tolkien's books were missing between where Bakshi's fairly faithful rendition ended and this abomination began. The drawings were slapped together and were often repetitious and ugly. Voice actors from the first film returned and some of them worked: Orson Bean was fine as Frodo, Theodore was again great as Gollum, Theodore Bikel did a fine job as Aragorn, and Roddy McDowall was wonderful as Samwise Gamgee. The rest were abysmal. Instead of hiring actors to do the characters, cartoon voice actors such as Don Messick (Scooby-Doo) and Casey Kasem (Shaggy) were cast. It was downright painful to hear a Nazgull being done by Scooby Doo through a distortion filter. Many characters integral to Tolkien's story were cast away: Where was Gimli? Faromir? Any of the elves (other than Elrond) such as Legolas or Glorfindel? How about the Army of the Dead or Sauroman? Merry and Pippin didn't develop as characters; Gollum remained merely vile, as if Bakshi's attempts to show this tortured being's strangely noble and pathetic side never happened. The dialog was stilted and sometimes unintentionally hilarious ("As the flag's standard broke the wind. . ."). It was awful beneath description from beginning to end, appearing to be a shameless attempt to cash in on the hopes of frustrated fans who'd wanted the second animated movie made.
That, of course, was the entire problem. This cartoon was, despite its trappings and claims, just a cartoon, less charming by far than The Hobbit and far less noble than Bakshi's film. Both of those were honest attempts at creating art, and each succeeded in its limited way until swept aside by Peter Jackson, who finally gave Tolkien's opus the treatment it deserved. The two earlier films merit a place of honor for trying to achieve cinematic beauty. Rankin and Bass's The Return of the King deserves to simply be forgotten.
Why is this cartoon so awful? Well, the answer lies mainly in the word "cartoon". Unlike The Hobbit, which featured beautifully painted scenery that evoked delicate watercolors and ethereal linework, which had so evidently been crafted with loving care and cast with thought to matching characters to actors, The Return of the King had all the earmarks of having been hastily cobbled together. It wasn't so much an animated homage to a great writer's work as a hatchet job. A huge chunk of the events in Tolkien's books were missing between where Bakshi's fairly faithful rendition ended and this abomination began. The drawings were slapped together and were often repetitious and ugly. Voice actors from the first film returned and some of them worked: Orson Bean was fine as Frodo, Theodore was again great as Gollum, Theodore Bikel did a fine job as Aragorn, and Roddy McDowall was wonderful as Samwise Gamgee. The rest were abysmal. Instead of hiring actors to do the characters, cartoon voice actors such as Don Messick (Scooby-Doo) and Casey Kasem (Shaggy) were cast. It was downright painful to hear a Nazgull being done by Scooby Doo through a distortion filter. Many characters integral to Tolkien's story were cast away: Where was Gimli? Faromir? Any of the elves (other than Elrond) such as Legolas or Glorfindel? How about the Army of the Dead or Sauroman? Merry and Pippin didn't develop as characters; Gollum remained merely vile, as if Bakshi's attempts to show this tortured being's strangely noble and pathetic side never happened. The dialog was stilted and sometimes unintentionally hilarious ("As the flag's standard broke the wind. . ."). It was awful beneath description from beginning to end, appearing to be a shameless attempt to cash in on the hopes of frustrated fans who'd wanted the second animated movie made.
That, of course, was the entire problem. This cartoon was, despite its trappings and claims, just a cartoon, less charming by far than The Hobbit and far less noble than Bakshi's film. Both of those were honest attempts at creating art, and each succeeded in its limited way until swept aside by Peter Jackson, who finally gave Tolkien's opus the treatment it deserved. The two earlier films merit a place of honor for trying to achieve cinematic beauty. Rankin and Bass's The Return of the King deserves to simply be forgotten.