This review contains spoilers.
The Last Samurai. What a movie. From the minute I first lay eyes on the opening scene, something tells me this is going to be fantastic. The music moves me, the scenes unfold. You spot a man, yet unknown, sitting in silent contemplation as a voice-over informs you of the myth surrounding the birth of Japan. You meet another man, desperate in his attempts to sabotage his life it would seem. A drunk. A man confused, with no direction, with what seems like a tiny piece of his soul intact after much hardship. What has he done? What is his story? We don't know yet. But I am intrigued.
I have to start by saying that I am not one to critique, dissect and cross-examine movies. I know little of brilliant film-making techniques. All I know is what I like. Sometimes I like trash, sometimes I like movies critically acclaimed as masterpieces. It's a matter of personal gratification and what I get from a movie.
The Last Samurai, the story of an American captain played my Tom Cruise who after being instrumental in the death of thousands on the battlefield, finds solace in the bottom of a bottle of brandy. He cares neither if he lives nor dies. He is volatile. He is hurt, has no honor and seeks to sabotage his life. He is asked to lead Japanese soldiers into battle against a group of rebellions the last group of Samurai. It is here that we begin to see where his destiny might lead. The Samurai takes him captive, lead by Katsumoto played by Ken Watanabe. And the second act of the movie begins. Algren starts to feel again. He is forced to examine the man he has become, and also forced to play an active role in what his destiny is to become. In the Samurai village we see Algren interact with many characters. Katsumoto, Ujio (Katsumoto's general), Taka (his caregiver and the wife of a Samurai, Hirotada he killed in battle), Higen and Magojiro (Taka's son's), the silent samurai 'Bob' and Nobutada (Katsumoto's son). It is here the drama unfolds and we learn as Algren learns. He unwillingly becomes friend, confidant, leader, father and husband. It is an amazing journey, one skillfully brought to life by breathtaking direction.
The third act begins as Algren takes up the mantle of his destiny and together with Katsumoto takes a stand against the Emperor and helps the Samurai captain retain his honor, while regaining his own.
Having said that I know nothing about the technicalities of film-making, I have to mention that to my untrained eye, the direction of this movie seemed flawless. Using different effects - slow motion, sound, reflection, emotion, and silence there seemed to be no scene where Zwick didn't use them to perfection. This is a movie of silent complexities. Props are used to give silent messages, characters use body language and communicative facial expressions with eyes that are filled with a story of their own to tell you exactly what you need to know. More than words ever could. A simple shrug by Katsumoto tells you this is a man under intense pressure, but the words are never uttered. The score I found particularly moving. It blended beautifully with this striking story.
This movie is beautiful. Simple, yet so complex at the same time. Friendships are at the core. Honor leads the way. And love is redeeming. I am not a Tom Cruise fan. In fact, I rebelled against seeing it initially because I didn't feel like seeing a movie about an American joining the natives, teaching them his ways and winning the hearts of the masses. This is, and was not, what The Last Samurai is about. I love the fact that Algren enters into the world of these amazing people and he learns from them. There are no American heroics. I also love the fact that the movie retains all the respect that these people deserved. There was no out-of-context love story where characters strip naked and go at it to make for more sizzling storytelling. In fact, one of the most beautiful scenes in the entire movie is the unconventional love scene between Algren and Taka, as she dresses him for battle. I love the fact that he movie makes you hunger to learn about this fascinating culture as it is told in a respectful and dignified manner.
A word on the acting then. I cannot point to a weak link. Tom Cruise was exceptional as the wounded captain. Just amazing. One of his best performances and may have turned me into a fan. Ken Watanabe. What an amazing actor. He embodied the soul of the Samurai in every gesture and that was breathtaking to see. Koyuki, what a beautiful and graceful performance. The children, especially the boy playing Higen had a depth that made it all seem so real.
I find myself able to watch and re-watch this movie from start to finish, and then start again. Its amazing and in my humble opinion, one of the finest ever. I am truly biased at this point. So I can do no more than recommend that you decide for yourself.
9/10 perhaps even 10
The Last Samurai. What a movie. From the minute I first lay eyes on the opening scene, something tells me this is going to be fantastic. The music moves me, the scenes unfold. You spot a man, yet unknown, sitting in silent contemplation as a voice-over informs you of the myth surrounding the birth of Japan. You meet another man, desperate in his attempts to sabotage his life it would seem. A drunk. A man confused, with no direction, with what seems like a tiny piece of his soul intact after much hardship. What has he done? What is his story? We don't know yet. But I am intrigued.
I have to start by saying that I am not one to critique, dissect and cross-examine movies. I know little of brilliant film-making techniques. All I know is what I like. Sometimes I like trash, sometimes I like movies critically acclaimed as masterpieces. It's a matter of personal gratification and what I get from a movie.
The Last Samurai, the story of an American captain played my Tom Cruise who after being instrumental in the death of thousands on the battlefield, finds solace in the bottom of a bottle of brandy. He cares neither if he lives nor dies. He is volatile. He is hurt, has no honor and seeks to sabotage his life. He is asked to lead Japanese soldiers into battle against a group of rebellions the last group of Samurai. It is here that we begin to see where his destiny might lead. The Samurai takes him captive, lead by Katsumoto played by Ken Watanabe. And the second act of the movie begins. Algren starts to feel again. He is forced to examine the man he has become, and also forced to play an active role in what his destiny is to become. In the Samurai village we see Algren interact with many characters. Katsumoto, Ujio (Katsumoto's general), Taka (his caregiver and the wife of a Samurai, Hirotada he killed in battle), Higen and Magojiro (Taka's son's), the silent samurai 'Bob' and Nobutada (Katsumoto's son). It is here the drama unfolds and we learn as Algren learns. He unwillingly becomes friend, confidant, leader, father and husband. It is an amazing journey, one skillfully brought to life by breathtaking direction.
The third act begins as Algren takes up the mantle of his destiny and together with Katsumoto takes a stand against the Emperor and helps the Samurai captain retain his honor, while regaining his own.
Having said that I know nothing about the technicalities of film-making, I have to mention that to my untrained eye, the direction of this movie seemed flawless. Using different effects - slow motion, sound, reflection, emotion, and silence there seemed to be no scene where Zwick didn't use them to perfection. This is a movie of silent complexities. Props are used to give silent messages, characters use body language and communicative facial expressions with eyes that are filled with a story of their own to tell you exactly what you need to know. More than words ever could. A simple shrug by Katsumoto tells you this is a man under intense pressure, but the words are never uttered. The score I found particularly moving. It blended beautifully with this striking story.
This movie is beautiful. Simple, yet so complex at the same time. Friendships are at the core. Honor leads the way. And love is redeeming. I am not a Tom Cruise fan. In fact, I rebelled against seeing it initially because I didn't feel like seeing a movie about an American joining the natives, teaching them his ways and winning the hearts of the masses. This is, and was not, what The Last Samurai is about. I love the fact that Algren enters into the world of these amazing people and he learns from them. There are no American heroics. I also love the fact that the movie retains all the respect that these people deserved. There was no out-of-context love story where characters strip naked and go at it to make for more sizzling storytelling. In fact, one of the most beautiful scenes in the entire movie is the unconventional love scene between Algren and Taka, as she dresses him for battle. I love the fact that he movie makes you hunger to learn about this fascinating culture as it is told in a respectful and dignified manner.
A word on the acting then. I cannot point to a weak link. Tom Cruise was exceptional as the wounded captain. Just amazing. One of his best performances and may have turned me into a fan. Ken Watanabe. What an amazing actor. He embodied the soul of the Samurai in every gesture and that was breathtaking to see. Koyuki, what a beautiful and graceful performance. The children, especially the boy playing Higen had a depth that made it all seem so real.
I find myself able to watch and re-watch this movie from start to finish, and then start again. Its amazing and in my humble opinion, one of the finest ever. I am truly biased at this point. So I can do no more than recommend that you decide for yourself.
9/10 perhaps even 10