What a sexy woman Joanne Whalley is. I can see why Kilmer grabbed her & married her. In this she's the antecedent of the Linda Fiorentino character in Last Seduction, another wondrously sexy wench. John Dahl has a unique & powerful knack for choosing strong actresses & bringing out the universal vixen in them.
The plot's nothing terribly original but it plays its familiar theme with some nice changes & variations. It has that classic quality that the best "noir" films had: it moves right along & keeps you in the center of the action.
One thing I find curious is that no one (to my knowledge) has ever linked the Michael Madsen throat-cutting scene in this film with the Michael Madsen ear-cutting scene in Reservoir Dogs. Give credit where it's due!
The plot's nothing terribly original but it plays its familiar theme with some nice changes & variations. It has that classic quality that the best "noir" films had: it moves right along & keeps you in the center of the action.
One thing I find curious is that no one (to my knowledge) has ever linked the Michael Madsen throat-cutting scene in this film with the Michael Madsen ear-cutting scene in Reservoir Dogs. Give credit where it's due!