So reads the tagline for this bizarre thriller, scripted and produced by Academy Award winner Philip Yordan. Raymond Elmendorf stars as Harry, a mechanic who is slowly losing touch with reality. After showing up at church naked, Harry is admitted to a psychiatric hospital. Although deemed a danger to society, he is quickly released due to the overcrowding and moves into a large abandoned hotel. Once inside, Harry suffers torment from figures both real (local street thugs) and imaginary (the hotel's dead occupants). All of this leads him to his breaking point so he decks himself out with firepower and heads to a local diner.
No doubt inspired by the 1984 McDonald's massacre in California by James Huberty, BLOODY Wednesday attempts to offer the reasons lurking behind random killing sprees. Unfortunately, it falls back on a series of cinematic psychological clichés, happy to portray Harry as an unprovoked nut/loner who has frequent dialogues with ghosts and his teddy bear (!). Harry may be a Vietnam vet (several moments of war sounds on the soundtrack allude to this), but it is never made clear. The film also offers some criticism of the mental health industry and the police but little time or attention is given to either.
The most interesting aspect of BLOODY Wednesday is the alternating between real life and Harry's dream world. One is never quite sure what is happening to Harry is genuine or his imagination. Regrettably, the film lacks the budget, actors and direction to pull this off. Lead Raymond Elmendorf is passable as the tormented Harry, with the rest of the cast being made up of unknowns. The best performance is by Jeff O'Haco (who played one of the Libyans in BACK TO THE FUTURE) as gang leader Animal. This is director Mark G. Gilhuis' only feature (possibly a pseudonym?). Screenwriter Philip Yordan had an amazingly eclectic career, probably the only man to have won an Oscar and work on NIGHT TRAIN TO TERROR.
No doubt inspired by the 1984 McDonald's massacre in California by James Huberty, BLOODY Wednesday attempts to offer the reasons lurking behind random killing sprees. Unfortunately, it falls back on a series of cinematic psychological clichés, happy to portray Harry as an unprovoked nut/loner who has frequent dialogues with ghosts and his teddy bear (!). Harry may be a Vietnam vet (several moments of war sounds on the soundtrack allude to this), but it is never made clear. The film also offers some criticism of the mental health industry and the police but little time or attention is given to either.
The most interesting aspect of BLOODY Wednesday is the alternating between real life and Harry's dream world. One is never quite sure what is happening to Harry is genuine or his imagination. Regrettably, the film lacks the budget, actors and direction to pull this off. Lead Raymond Elmendorf is passable as the tormented Harry, with the rest of the cast being made up of unknowns. The best performance is by Jeff O'Haco (who played one of the Libyans in BACK TO THE FUTURE) as gang leader Animal. This is director Mark G. Gilhuis' only feature (possibly a pseudonym?). Screenwriter Philip Yordan had an amazingly eclectic career, probably the only man to have won an Oscar and work on NIGHT TRAIN TO TERROR.