Review of Janis

Janis (1974)
7/10
Superior rockumentary
12 September 2005
Warning: Spoilers
Though I am not a fan of the music of Janis Joplin, I found this to be a refreshing look at the brief life and times of the Texas-born wailer. Completely lacking in artifice, Joplin comes across as the archetypal high school outcast, a frumpy artistic type who found liberation living the life of a San Francisco hippy and singing the blues. Joplin comes across as extremely likable and is bluntly honest about her shortcomings as a singer: she pays tribute to Aretha Franklin, acknowledging her own lack of subtlety which, she hoped wistfully, might come in time. That time, of course, never came, and we are left with the extremely erratic results. Joplin is best remembered for her decent if clumsy takes on Ball and Chain and Piece of My Heart, and those tracks are represented here, but the versions of Tell Mama, Cry Baby, and Maybe are frankly embarrassing. Joplin also struggles with Gershwin's Summertime, but the results there are better, partly because the song is so mighty it defies all attempts to lessen its power, and partly because the Kozmic Blues Band wisely chose to arrange it in a raga rock style which still sounds quite fresh today. The film ends with a wistful photo montage set to the tune of Me and Bobby McGee, the posthumous 1971 hit that reunited Janis with the country music of her childhood. Regardless of how you rate Joplin's music, I defy anyone to watch this film and not come away deeply impressed by the humor, intelligence, and warmth of its subject.
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