Meticulously constructed and perfectly played, To The Ends Of The Earth is a simply astonishing voyage out of our reality and into another age.
Based on William Golding's trilogy, these three 90-minute films chronicle the journey towards both Australia and experience of youthful aristocrat Edmund Talbot (Benedict Cumberbatch) aboard an aging man o' war in the early 19th century as he heads for a Government position Down Under.
Among the crew and hopeful emigrants sharing his passage are a tempestuous, bullying captain (Jared Harris), a politically radical philosopher (Sam Neill), a canny 1st lieutenant who's worked his way up from the bottom (Jamie Sives) and, fleetingly, the first brush of love in the form of a beautiful young woman (Joanne Page) whose ship literally passes in the night.
Quite aside from the astonishing degree of physical historic accuracy, director David Attwood and screenwriters Tony Basgallop and Leigh Jackson have a canny eye and ear for the manners and stiff etiquette of an earlier time, crafting a totally convincing microcosm of the Napoleonic era.
Shipboard life is one brutal, monotonous round of seasickness, squalor and danger after another and as Edmund becomes entangled in the loves, hopes and miseries of his fellow passengers he experiences a delirious whirl of life's hardships, Man's inhumanities and his noblest sentiments.
Those who enjoyed Master And Commander: The Far Side Of The World or Patrick O'Brian's series of novels on which it was based will love this for everyone else, it's a whole new world to discover.
Based on William Golding's trilogy, these three 90-minute films chronicle the journey towards both Australia and experience of youthful aristocrat Edmund Talbot (Benedict Cumberbatch) aboard an aging man o' war in the early 19th century as he heads for a Government position Down Under.
Among the crew and hopeful emigrants sharing his passage are a tempestuous, bullying captain (Jared Harris), a politically radical philosopher (Sam Neill), a canny 1st lieutenant who's worked his way up from the bottom (Jamie Sives) and, fleetingly, the first brush of love in the form of a beautiful young woman (Joanne Page) whose ship literally passes in the night.
Quite aside from the astonishing degree of physical historic accuracy, director David Attwood and screenwriters Tony Basgallop and Leigh Jackson have a canny eye and ear for the manners and stiff etiquette of an earlier time, crafting a totally convincing microcosm of the Napoleonic era.
Shipboard life is one brutal, monotonous round of seasickness, squalor and danger after another and as Edmund becomes entangled in the loves, hopes and miseries of his fellow passengers he experiences a delirious whirl of life's hardships, Man's inhumanities and his noblest sentiments.
Those who enjoyed Master And Commander: The Far Side Of The World or Patrick O'Brian's series of novels on which it was based will love this for everyone else, it's a whole new world to discover.