A tortured, angst-ridden story set on a salt farm situated on a remote island in the Bahamas. Madeleine Carroll and Stirling Hayden are visually resplendent but the lackluster story negates whatever potential there is for a passionate island romance. In fact, they manage to wade through the entire film without once kissing, a record for two stars who allegedly were engaged to be married at the time.
Leo G. Carroll and Flora Robson play a paranoiac pair who are convinced that the majority native population is bent on murdering them. The real star of the film is the cinematographer, who succeeds in offsetting a generally dull screenplay.
I'm yet to see a Madeleine Carroll film that was unwatchable, and Bahama Passage is no exception. It would have been nice if the story matched her inimitable beauty and charm, but you can't always get your wish.
Leo G. Carroll and Flora Robson play a paranoiac pair who are convinced that the majority native population is bent on murdering them. The real star of the film is the cinematographer, who succeeds in offsetting a generally dull screenplay.
I'm yet to see a Madeleine Carroll film that was unwatchable, and Bahama Passage is no exception. It would have been nice if the story matched her inimitable beauty and charm, but you can't always get your wish.