Generalísimo Franco's evil children
9 February 2006
Warning: Spoilers
For the life of me I cannot explain why this film has received such hostile comments. Actually, I expected not much when I rented this. The presence of Mira Sorvino led me to think that this might be just another cheapo US horror flick shot in Europe. Not so. In fact, I found it to be a modest, yet highly effective little murder thriller set against the background of picturesque Seville, very much reminiscent of 70s giallo cinema and 70s Spanish thriller movies. It is a film that primarily deals with destroyed families - two of the cops were robbed of their loved ones, and the great Alida Valli (in one of her last roles) plays an old widow who stems from a highly respected family that has also fallen apart. The villains of the piece - and no, this is not really a spoiler! - are monsters from the days of the Spanish Civil War - a degenerated family in themselves. The story unfolds at a slow pace, but a clever and moody screenplay (that is totally devoid of the inane babbling that spoils so many of today's b-horror movies) makes the characters quite interesting and unusual. Throw in a few giallo murders and good photography, and what we have is a charmingly old-fashioned, moody piece of cinema. It is definitely not to be mistaken for a a-murder-a-reel horror shocker, but if one has a sweet tooth for slow, morbid thrillers, it should prove worthwhile. It's maybe not one the same level as Guillermo del Toro's THE DEVIL'S BACKBONE, but what a nice surprise it was...
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