Patty Hearst (1988)
9/10
Shadow, light and gibberish
15 February 2006
California is drenched in sunshine. But Patty Hearst, member of one of the most famous and in the public opinion most wealthy families of the USA is brutally thrown into darkness. The California sun is still out there, you can almost feel it, some rays come through, but the light is most of the time shut out by walls or curtains. Once the nineteen-year-old woman reemerges, she is a revolutionary, called Tanya – like Che's lover, you dig?

This highly interesting, very stylish and well crafted movie tells about the ordeal, the disorientation, the reprogramming and the re-reprogramming of a young person who seems to be very much alone while trying to endure these transformations that are forced upon her. Any notion of society seems to dissolve into sheer madness. This retelling of actual facts, which is done exclusively and in straight chronological order from Patty's point of view, might or might not be a „doctored" account of events, it certainly is convincing and allows the viewers to commiserate with the main protagonist. She concludes at the end that society probably would have preferred her dead, and after seeing the movie one must say she has a point there (for this aspect it might be interesting to check out Robert Aldrich's The Grissom Gang).

The group dynamics and the insane pseudo revolutionary gibberish (sounds terribly dated!) has a real feel to it, all actors are believable in their roles. I thought that Ving Rhames was particularly effective as the group's leader, Cinque (and now I know that the name is not pronounced like the Italian word for the number five). Besides Natasha Richardson the performance of Jodi Long also caught my attention. Reminded me a little of Mercedes McCambridge. I hope I will be able to see her in other roles.
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