Saraband (2003)
9/10
"His Last Bow"
26 February 2006
"A saraband is a grave, courtly Baroque dance.."

Marianne (Liv Ullmann) and Johan (Erland Josephson), the heroes of "Scenes of a Marriage (1973), meet again after thirty years when Marianne suddenly decides to visit Johan at his old summer house. When he asked why she came, she answered that she thought he had called for her. The story of Marianne and Johan in this film provides a background for another story which involved Johan's son from his first marriage, 61 year old musician Henric and his 19 year old daughter Karin whom Henric has been giving cello lessons and dreams of her becoming a famous performer. There is one more character present in the movie, even though she's been dead for two years - Anna, late Henric's wife and Karin's mother who has been deeply missed and mourned by everyone including Johan.

This film is dedicated to Ingrid von Rosen, Bergman's last wife who died in 1995. It is her face we see at the photograph of Anna which Bergman shows over and over again. It seems to me that one of the reasons of making "Saraband" was for Bergman the chance to say to Ingrid, "I love you and I miss you and even death can't take you from me". In his last movie, Bergman sadly proves (once again) that even time can't heal the painful wounds caused by deeply-rooted hatred which is only one step away from love. How disturbing was the scene between 86 -year-old father and 61-year-old son. They looked the same age, old, grey-haired men who still cherish the hatred and contempt for each other that go way back and there is no victory in this power struggle. But there is hope in the movie for young Karin who breaks out of the world that she was forced to believe she belonged to but she did not and she found the strength to leave and to be free and to make her own decisions...

As all Bergman's films, "Saraband" does not provide the easy answers to the difficult questions; it does not provide any answers at all but as old Johan in the most moving scene of the film bares his body, Bergman bares his very soul and lets us look inside of it and maybe learn something about ourselves.
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