This title is relatively unknown in Australia, but as someone who has studied comedy for 40 years and taught gifted students about it as a form of expression, communication and development of the comic conventions and constructs used in various forms of 'standard' literature, I consider that this film can be considered as one that stands out in its own field as a latter-day 'standard' of classic comic form and execution.
In some ways it falls into the same category as films from the great Silent Era in Hollywood (e.g. the works of Sennett and Chaplin), the W C Fields' "The Great Chase" and Eric Syke's "The Plank" - but it also equates in some ways with Oscar Wilde's comedy (e.g. "The Importance of Being Ernest") - all are great examples of mixing visual activity, remarkable energy, the innuendo and the written and/or spoken word.
In some ways it falls into the same category as films from the great Silent Era in Hollywood (e.g. the works of Sennett and Chaplin), the W C Fields' "The Great Chase" and Eric Syke's "The Plank" - but it also equates in some ways with Oscar Wilde's comedy (e.g. "The Importance of Being Ernest") - all are great examples of mixing visual activity, remarkable energy, the innuendo and the written and/or spoken word.