This is a fine character study of Truman Capote whose professional desires collide with his personal desires, as he researches and writes about the 1959 murders of a Kansas family. The film examines how these conflicting desires arose, and how Capote, the person, handled the ordeal once he realized that these desires were mutually exclusive.
Hoffman mimics Capote's posture, voice, facial expressions, and overall mannerisms quite well. It's a great impersonation. But, towards the film's end when Capote has to say goodbye for the last time, Hoffman's portrayal of Capote's grief and helplessness goes well beyond parody. It's an example of genuine acting ability.
Other performances are also good, especially Chris Cooper as Prosecutor Alvin Dewey, and Catherine Keener as Capote's friend, Nelle Harper Lee. In addition to the fine acting, the story itself is gripping, because it is a true story. It's been told before, most convincingly in 1967's "In Cold Blood", from the POV of the killers. That film was photographed in B&W. "Capote", by contrast, is in color. But the colors are all muted, reassuringly so, in view of the subject matter. The tone of "Capote" is solemn and earnest, almost funereal. The pace is slow and deliberate. Music is restrained.
Viewers with little or no interest in the central character may find the first half of the film slow going. It plods along without a lot of tension or suspense. But as the writer bonds with the convicted killer, tension picks up, and then further builds en route to a profound destiny.
My only critique, beyond a slow beginning, pertains to the minimal attention given to era atmosphere. Given that the story takes place in the late 1950s and early to mid-1960s, I would have preferred more cinematic cues of that time period, especially with regard to music, decor, and cultural themes which are curiously absent, aside from obvious props like cars and telephones.
The Clutter killings were, and still are, unsettling and haunting, even after all these years. "Capote" is a high quality film that describes Truman Capote's research into the case, especially as regards the mindset and motivations of the killers, and further examines the effects that Capote's investigation had on him, both as a writer and as a human being with feelings. Though the story is good, Hoffman's wonderful performance is the real reason to see this film.
Hoffman mimics Capote's posture, voice, facial expressions, and overall mannerisms quite well. It's a great impersonation. But, towards the film's end when Capote has to say goodbye for the last time, Hoffman's portrayal of Capote's grief and helplessness goes well beyond parody. It's an example of genuine acting ability.
Other performances are also good, especially Chris Cooper as Prosecutor Alvin Dewey, and Catherine Keener as Capote's friend, Nelle Harper Lee. In addition to the fine acting, the story itself is gripping, because it is a true story. It's been told before, most convincingly in 1967's "In Cold Blood", from the POV of the killers. That film was photographed in B&W. "Capote", by contrast, is in color. But the colors are all muted, reassuringly so, in view of the subject matter. The tone of "Capote" is solemn and earnest, almost funereal. The pace is slow and deliberate. Music is restrained.
Viewers with little or no interest in the central character may find the first half of the film slow going. It plods along without a lot of tension or suspense. But as the writer bonds with the convicted killer, tension picks up, and then further builds en route to a profound destiny.
My only critique, beyond a slow beginning, pertains to the minimal attention given to era atmosphere. Given that the story takes place in the late 1950s and early to mid-1960s, I would have preferred more cinematic cues of that time period, especially with regard to music, decor, and cultural themes which are curiously absent, aside from obvious props like cars and telephones.
The Clutter killings were, and still are, unsettling and haunting, even after all these years. "Capote" is a high quality film that describes Truman Capote's research into the case, especially as regards the mindset and motivations of the killers, and further examines the effects that Capote's investigation had on him, both as a writer and as a human being with feelings. Though the story is good, Hoffman's wonderful performance is the real reason to see this film.