Review of Dishonored

Dishonored (1931)
7/10
Dietrich the spy, Dietrich the romantic in spite of herself
13 June 2006
Warning: Spoilers
Marlene Dietrich plays Marie, the widow of a decorated Austrian WW I soldier down on her luck, recruited for the secret service by a dour secret service chief (Gustav von Seyffertitz) to become spy X-27. Her first assignment is to trap a mole for the Russians (Warner Oland, playing the first non-pseudo-oriental role I've seen him in), which she does with ease. Her next adversary is the wily Russian spy Colonel Kranau (Victor McLaglen), and the two of them keep stalemating each other. Ultimately, her gesture acknowledging love though she doesn't say it aloud, she allows him to escape the Austrians who have captured him, and she is tried and executed for treason. In this movie, von Sternberg makes the most of Dietrich's enigmatic bearing—she's not much interested in living, and not much afraid of dying, so she might as well die for her country. No reproach for her country's neglect of the widow of a hero. Von Sternberg also gives plenty of examples of his famous eponymous lighting, making Dietrich look even more alluring, jaded, insouciant, and enigmatic than ever. McLaglen is an odd choice for a romantic hero. Most of his parts emphasize bluff, even cynical good humour or vicious toughness. Here he smiles knowingly and moves with ease in uniform. Perhaps he grins too much, but the balance of his joviality with Dietrich's pallor is intriguing.
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