7/10
The poetry of details
23 June 2006
Manuel de Oliveira is the film director of the details. The camera is always very slow with him and much concentrated on visual details, immobile images and dialogues. Each one of these however, has its meaning sometimes poetic and contributes to introduce the spectator deeply into the atmosphere of the story. Remember for instance the scene when the old actor, after having bought and put on a pair of new yellow shoes that he liked very much, is talking to someone else at a café and while the dialogue goes on we almost never see his face since the camera focuses his feet all the time and the movements he makes with his shoes like an element of his personality. This is the story of an old actor at the end of his career still trying to work after the violent death of his wife, daughter and son-in-law in a road accident that left him in charge of his little grandson. Michel Piccoli does a great job in the role of the aging actor and we can feel all along the movie the feelings that take place in his mind on the one hand in his difficult relationship with his agent about what the latter tries to demand from him and on the other hand in his tender relationship with his grandson at home though they don't see much of each other due to to their divergent hours. A movie really worth to be seen.
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