I first saw this movie on AMC years ago and have never forgotten it. The cinematography and acting swept me right up into the melodramatic story. Yes, the plot is melodramatic, but life sometimes is melodramatic. And if that's not enough for you, the performances of Gozzi,Stockwell, and Douglas just won't allow me to question its plausibility. They realize their characters so fully that there's no question whether there are three people could actually exist they way they do, where they do, and behave exactly as they do in this film.
The characters of Agnes and her father have such a touching pathos as they blindly find their way to healing through horrible tragedy, mutual loss, and self-discovery, for which Stockwell serves as catalyst. There is such an delicate realism to Gozzi's performance as an emotionally troubled and deluded adolescent that makes the film actually seem far ahead of its time. Trust me--this kid could have been right at home next to Brando in "On the Waterfront" and never been upstaged by him for one second.
Most reviewers seem to believe that it's these three sensitive performances that carry the weight of the plot, but how they stumble into learning about themselves and each other is never contrived. There isn't a single scene, as there is in most Hollywood films, with an overwrought catharsis that changes their world overnight. Rather, these are three people trying to act as their hearts and consciences dictate, sometimes blundering selfishly, other times meeting one another tenderly halfway. A visually beautiful and realistically romantic film.
The characters of Agnes and her father have such a touching pathos as they blindly find their way to healing through horrible tragedy, mutual loss, and self-discovery, for which Stockwell serves as catalyst. There is such an delicate realism to Gozzi's performance as an emotionally troubled and deluded adolescent that makes the film actually seem far ahead of its time. Trust me--this kid could have been right at home next to Brando in "On the Waterfront" and never been upstaged by him for one second.
Most reviewers seem to believe that it's these three sensitive performances that carry the weight of the plot, but how they stumble into learning about themselves and each other is never contrived. There isn't a single scene, as there is in most Hollywood films, with an overwrought catharsis that changes their world overnight. Rather, these are three people trying to act as their hearts and consciences dictate, sometimes blundering selfishly, other times meeting one another tenderly halfway. A visually beautiful and realistically romantic film.