I used to love the early 1970's TV series which took its premise from this 1963 movie, so it was with some trepidation that I finally saw the original film directed by Vincente Minnelli. For such a family-oriented vehicle, his sometimes excessive film-making style shows up in subtle ways throughout the picture, and that's what primarily makes it interesting viewing now. The film starts out as an amusing domestic comedy, periodically hints toward deeper issues of grief and single parenthood, and then dives headlong into melodrama in the last half-hour. The result is pure Minnelli.
The other memorable aspect is eight-year old Ron Howard, sixth-billed and then known as Ronny, who delivers the central performance of Eddie without resorting to precociousness. More than his adult co-stars, he brings all the elements of the film together on an emotional level that resonates. Written by Tom Gay, the plot focuses on Eddie's attempts to reinvigorate the love life of his recently widowed father Tom. The likely candidate appears to be the pretty, recently divorced nurse next door, Elizabeth, but Tom and she start off on the wrong foot despite the fact that Eddie adores her. Efforts get refocused on Dolly, a vacuous, curvaceous girl they meet at the arcade, but Tom redirects her to womanizing disc jockey Norman. Tom then meets socialite Rita, whose glaring lack of a maternal instinct alienates Eddie to the point of running away.
All ends inevitably but not before some startling scenes like Eddie traumatized by the sight of his dead fish and Tom careening recklessly in his car to find Eddie (it looks like a similarly hair-raising scene on an Italian hillside road in Minnelli's "Two Weeks in Another Town"). In fact, the climactic argument between Tom and Elizabeth is surprisingly vitriolic for a family picture. Not the most charismatic of actors, Glenn Ford is solid as Tom, while a non-singing Shirley Jones plays Elizabeth with dexterity. The other performances are a bit more on the pat side - Stella Stevens lovably dim as Dolly, Jerry Van Dyke his recognizably unctuous self as Norman and Dina Merrill all slithery glamour as Rita. There are no extras with the 2004 DVD.
The other memorable aspect is eight-year old Ron Howard, sixth-billed and then known as Ronny, who delivers the central performance of Eddie without resorting to precociousness. More than his adult co-stars, he brings all the elements of the film together on an emotional level that resonates. Written by Tom Gay, the plot focuses on Eddie's attempts to reinvigorate the love life of his recently widowed father Tom. The likely candidate appears to be the pretty, recently divorced nurse next door, Elizabeth, but Tom and she start off on the wrong foot despite the fact that Eddie adores her. Efforts get refocused on Dolly, a vacuous, curvaceous girl they meet at the arcade, but Tom redirects her to womanizing disc jockey Norman. Tom then meets socialite Rita, whose glaring lack of a maternal instinct alienates Eddie to the point of running away.
All ends inevitably but not before some startling scenes like Eddie traumatized by the sight of his dead fish and Tom careening recklessly in his car to find Eddie (it looks like a similarly hair-raising scene on an Italian hillside road in Minnelli's "Two Weeks in Another Town"). In fact, the climactic argument between Tom and Elizabeth is surprisingly vitriolic for a family picture. Not the most charismatic of actors, Glenn Ford is solid as Tom, while a non-singing Shirley Jones plays Elizabeth with dexterity. The other performances are a bit more on the pat side - Stella Stevens lovably dim as Dolly, Jerry Van Dyke his recognizably unctuous self as Norman and Dina Merrill all slithery glamour as Rita. There are no extras with the 2004 DVD.