THE PURPLE ROSE OF CAIRO has got to be one of the most original and inventive of all the films Woody Allen has done--and all the more enjoyable because we're not subjected to the Allen character in the film itself. Instead, we get MIA FARROW (one of her very best performances) and JEFF DANIELS in what has to be the most original role of his career, as the man who walks off the movie screen and into Farrow's humdrum life.
Farrow is the Depression-era movie fan whose film idol walks right off the screen and interjects himself into her life--brightening it, at least for awhile, until the rather downbeat ending. DANNY AIELLO, as Mia's abusive husband and DIANNE WIEST have good supporting roles, but the story really depends on the wonderful chemistry between Farrow and Daniels--and they truly bring the bittersweet comedy and fantasy to credible life.
Furthermore, the script is not only very clever, but the film is technically brilliant in the way it has the film within a film characters on the screen interacting with the movie audience.
Summing up: Stylish mixture of comedy and fantasy, fully deserving the many nominations and awards it won that year.
Farrow is the Depression-era movie fan whose film idol walks right off the screen and interjects himself into her life--brightening it, at least for awhile, until the rather downbeat ending. DANNY AIELLO, as Mia's abusive husband and DIANNE WIEST have good supporting roles, but the story really depends on the wonderful chemistry between Farrow and Daniels--and they truly bring the bittersweet comedy and fantasy to credible life.
Furthermore, the script is not only very clever, but the film is technically brilliant in the way it has the film within a film characters on the screen interacting with the movie audience.
Summing up: Stylish mixture of comedy and fantasy, fully deserving the many nominations and awards it won that year.