This flick was intended to be a fantasy and horror work and it became a Harlequin Romance .How can a director do such a thing with an actor like Tim Roth?Anyway Roth is a ghost and he is not given a single chance to shine.Samuel LE Bihan's character is the straight handsome gentle -and of course clever-man who loves the heroine's children and who urges her to pick up the pieces and to give them a chance.
When the movie tries to be "scary", it uses all the hackneyed tricks which even the worst directing drudges would not dare :"I've just talked to your son/-But my son is dead " here's the "terrifying "dialog; The "old" colleague (Margot Kidder!) initiating McDowell to spiritualism is also ridiculous.
The last scene takes the biscuit,with its "moving" last sign ,naturally filmed in slow motion.
If you want to see a movie which tackles almost the same subject and brilliantly succeeds ,take FRançois Ozon's "Sous le Sable" starring Charlotte Rampling.(International title:"Under the Sand" )
When the movie tries to be "scary", it uses all the hackneyed tricks which even the worst directing drudges would not dare :"I've just talked to your son/-But my son is dead " here's the "terrifying "dialog; The "old" colleague (Margot Kidder!) initiating McDowell to spiritualism is also ridiculous.
The last scene takes the biscuit,with its "moving" last sign ,naturally filmed in slow motion.
If you want to see a movie which tackles almost the same subject and brilliantly succeeds ,take FRançois Ozon's "Sous le Sable" starring Charlotte Rampling.(International title:"Under the Sand" )