A Dog's Life has more layers than the usual Chaplin films, taking the character slightly more literally than he usually does. The overall appeal of Chaplin's Little Fellow is that he is such an everyman that he can be thrust into an almost endless multitude of situations, and Chaplin uses his limitless talent to mold it into brilliant, humanitarian farce. In this film, the little tramp is more of a homeless fellow than usual (I think he's usually just poor and struggling), and in the process he be-friends another homeless and struggling tramp.
There are some great scenes in the film, although even at only 40 minutes it is a bit too long for the material to support. One scene in particular, where Charlie knocks a bully unconscious, is going to be the most memorable one in the movie, along with a scene where he outsmarts some police officers. There is a charming romance that is neither cloying nor overly involving, just the right amount for a short, light-hearted comedy. This probably would have worked even better as a two reel film, but as it is it stands as one of Chaplin's better three reelers.
There are some great scenes in the film, although even at only 40 minutes it is a bit too long for the material to support. One scene in particular, where Charlie knocks a bully unconscious, is going to be the most memorable one in the movie, along with a scene where he outsmarts some police officers. There is a charming romance that is neither cloying nor overly involving, just the right amount for a short, light-hearted comedy. This probably would have worked even better as a two reel film, but as it is it stands as one of Chaplin's better three reelers.