The problem I had with this movie is that it's essentially a sitcom premise stretched out to 90 minutes, although fortunately, that spares us the set up/punch line every few minutes route and the laugh track. The story is also predictable and has been done before, at least several times in the last 10-15 years, usually guy pretends to be gay to get the girl, not for career advancement, but I assume this is a rip off, at least conceptually, from the 2001 French film, Le Placard, (aka The Closet).
That's another problem with this film: there are some good concepts but they aren't well developed. They discuss how to make the Dave character pass for gay and its nice to see they don't make any effort to change his behavior (i.e. Victor/Victoria's "more shoulder, remember you're a drag queen" or similar from Mrs. Doubtfire) but since they don't develop his character very much, you don't understand why he's into Bette Davis movies and it seems strange he would have a good friend who's gay and would move in with him, but not have any clue about some basics such as what a top or bottom is.
The performances were adequate to fine, with some excellent work by a few people. Reichen Lehmkuhl really needs to get a new agent who will get him some bit work where he can keep his shirt on. I also agree that the "gay guys" don't do a good job. Micheal Ian Blank's gay friends at "brunch" (Sean McGowan and Bru Miller) in particular, shouldn't have been mouthing some of their lines based on what they wore and looked like. I kept thinking that the sub-plot with the two make co-workers (roommates themselves) of Dave's would be resolved with one or both of them turning out to be gay, which may have more sense, otherwise I would agree that the time spent on them was excessive after a point.
Some good ideas and the execution was technically fine, but it feels unfinished, unpolished and like a first draft, not a feature film.
That's another problem with this film: there are some good concepts but they aren't well developed. They discuss how to make the Dave character pass for gay and its nice to see they don't make any effort to change his behavior (i.e. Victor/Victoria's "more shoulder, remember you're a drag queen" or similar from Mrs. Doubtfire) but since they don't develop his character very much, you don't understand why he's into Bette Davis movies and it seems strange he would have a good friend who's gay and would move in with him, but not have any clue about some basics such as what a top or bottom is.
The performances were adequate to fine, with some excellent work by a few people. Reichen Lehmkuhl really needs to get a new agent who will get him some bit work where he can keep his shirt on. I also agree that the "gay guys" don't do a good job. Micheal Ian Blank's gay friends at "brunch" (Sean McGowan and Bru Miller) in particular, shouldn't have been mouthing some of their lines based on what they wore and looked like. I kept thinking that the sub-plot with the two make co-workers (roommates themselves) of Dave's would be resolved with one or both of them turning out to be gay, which may have more sense, otherwise I would agree that the time spent on them was excessive after a point.
Some good ideas and the execution was technically fine, but it feels unfinished, unpolished and like a first draft, not a feature film.