It would be safe to say that the third time is definitely NOT the charm when it comes to the "Shrek" series, since "Shrek the Third" lacks virtually all the imaginativeness, wit and magic that made the previous two installments such tremendous fun for young and old viewers alike. In this latest go-round, the writers have clearly run out of comical inspiration, leaving us with a humorless farrago of labored jokes and sappy life-lessons (mainly about the joys of prospective fatherhood and the importance of being willing to take a chance in life) guaranteed to please no target audience or age group whatsoever.
In this edition, Shrek's father-in-law, the frog king of the realm of Far Far Away, bequeaths his crown to Shrek on his deathbed unless the reluctant ogre can find a distant heir (the young Arthur) to take his place. Shrek, filled with doubts about his own ability to rule the kingdom, heads off with his faithful companions, Donkey and Puss In Boots, to find the boy and bring him back with them to the castle where he will assume his rightful place on the throne. Meanwhile, the vain, conniving Prince Charming has decided to enlist the aid of all the villains of the kingdom to mount a coup so that he can proclaim himself ruler of the land.
As I reckon them, there are about five hearty laughs in "Shrek the Third," and at least four of them come in the opening scene of the film (a very funny parody of third-rate dinner theater). Unfortunately, it's all pretty much downhill from there, as one ostensibly comic line after another crashes and burns, leaving us with little but the gorgeous backdrops and seamless animation to hold our attention. Regarding the latter point, it must be stated that movie animators have certainly come a long way in perfecting the facial expressions of their characters, but what is the point of such a technological advancement if it is placed in the service of as dismal a script as Andrew Adams, Howard Gould, Jeffrey Price, Peter S. Seaman, J. David Stern, David N. Weiss, and Jon Zack have concocted here? Somehow, you know you're in trouble when no fewer than seven writers have a hand in a screenplay, but couldn't at least one of them have come up with a funny joke or two while they were hammering it all out? Moreover, the story itself is dull and plodding and even the "Shrek" trademark of piling on clever pop culture references falls flat in this instance (and having Medieval teenagers blabbing away in already-dated Valley Girl lingo just doesn't cut it).
Eddie Murphy and Antonio Banderas still provide yeoman service as the voices of Donkey and Puss In Boots, respectively, but even they can't keep the whole enterprise from feeling as if blockbuster rigor mortis has finally set in. Unlike the two earlier films in the series, "Shrek the Third" feels less the product of a magic spell than of a divine curse.
In this edition, Shrek's father-in-law, the frog king of the realm of Far Far Away, bequeaths his crown to Shrek on his deathbed unless the reluctant ogre can find a distant heir (the young Arthur) to take his place. Shrek, filled with doubts about his own ability to rule the kingdom, heads off with his faithful companions, Donkey and Puss In Boots, to find the boy and bring him back with them to the castle where he will assume his rightful place on the throne. Meanwhile, the vain, conniving Prince Charming has decided to enlist the aid of all the villains of the kingdom to mount a coup so that he can proclaim himself ruler of the land.
As I reckon them, there are about five hearty laughs in "Shrek the Third," and at least four of them come in the opening scene of the film (a very funny parody of third-rate dinner theater). Unfortunately, it's all pretty much downhill from there, as one ostensibly comic line after another crashes and burns, leaving us with little but the gorgeous backdrops and seamless animation to hold our attention. Regarding the latter point, it must be stated that movie animators have certainly come a long way in perfecting the facial expressions of their characters, but what is the point of such a technological advancement if it is placed in the service of as dismal a script as Andrew Adams, Howard Gould, Jeffrey Price, Peter S. Seaman, J. David Stern, David N. Weiss, and Jon Zack have concocted here? Somehow, you know you're in trouble when no fewer than seven writers have a hand in a screenplay, but couldn't at least one of them have come up with a funny joke or two while they were hammering it all out? Moreover, the story itself is dull and plodding and even the "Shrek" trademark of piling on clever pop culture references falls flat in this instance (and having Medieval teenagers blabbing away in already-dated Valley Girl lingo just doesn't cut it).
Eddie Murphy and Antonio Banderas still provide yeoman service as the voices of Donkey and Puss In Boots, respectively, but even they can't keep the whole enterprise from feeling as if blockbuster rigor mortis has finally set in. Unlike the two earlier films in the series, "Shrek the Third" feels less the product of a magic spell than of a divine curse.