7/10
Uneven story of sisters in World War II New Zealand
24 July 2007
Warning: Spoilers
Jean Simmons, Joan Fontaine, Piper Laurie, Sandra Dee and Paul Newman star in "Until They Sail," a World War II romantic drama directed by Robert Wise. Four sisters watch their husbands and boyfriends go off to war and meet different fates. The central story is the romance between the widowed Barbara (Simmons) and an American marine (Newman). This is an early film for Newman; he has fourth billing.

The drama emphasizes the tremendous loneliness of the American soldiers and the New Zealand women and the resulting changing morality. The liaisons that result are sometimes one-nighters, sometimes serious that end with a soldier's death, and sometimes end in marriage and relocation. Anne (Fontaine) falls in love with a soldier (Charles Drake) and becomes pregnant; Dee (Piper Laurie) has a husband she doesn't love who is a prisoner of war - she moves to Wellington and takes up with an assortment of soldiers; and Barbara's husband is killed. Evelyn, a mere child at the beginning of the war, matures as it continues and falls in love.

"Until They Sail" begins with a courtroom scene and continues as Barbara's flashback. It moves somewhat slowly and has a tendency to be talky. The performances are uneven. Laurie, a vibrant actress, nevertheless seems as if she belongs to a different family, much more American than a New Zealand resident. Fontaine gives a gentle portrayal of a woman who finds love later in her life. As Barbara, Simmons gives us a serious young woman with certain standards who nevertheless finds herself drawn to the cynical Newman character. Though she enjoyed an excellent career, Simmons never had the career she deserved, belonging to an era that put her in competition with Elizabeth Taylor and Audrey Hepburn. It's a shame - of the three, she's the best actress. Her work in "Angel Face" is proof enough of that and that she is a stunning beauty who, when allowed, could also be sexy. In "Until They Sail," she again conveys her thoughts with no dialogue. At the end, she stands outside alone and the viewer can read her mind, as they could when she walked into the house in "Angel Face" after the death of her parents.

This is a pleasant film, not spectacular, worth seeing for an early Newman and some likable actors.
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