2/10
Clucking hell!
3 August 2007
With the sixties in full swing, and mind-altering drugs an integral part of the arts scene, it comes as no surprise to find that a large amount of the cinematic output from this era is more than a little bit 'out-there'. The makers of Death Laid an Egg must've consumed more than their fair share of LSD, 'shrooms and Marijuana. 'cos with its spaced-out visuals, experimental discordant soundtrack, wild editing and pretentious dialogue, it sure is one bizarre cinematic trip!

And whilst I found the mix of European art-house cinema and proto-Giallo plot line seriously irritating and incredibly dull, it's not hard to see how this unusual effort has garnered a cult following among those who enjoy 'psychadelic' films.

Set in and around a high-tech chicken factory, the film follows several characters whose lives intertwine with deadly consequences. Marco (Jean-Louis Trintignant) is husband to the beautiful factory owner, Anna (Gina Lollobrigida), but is also jumping sexy blonde Gabriella (Ewa Aulin) who also has a connection with young publicist Mondaini (Jean Sobieski), who is called in to promote the benefits of chickens. Add a weird scientist who is developing headless and wingless fowl that yield more meat for maximum profit, and the roster of strange characters is complete.

I can see this movie appealing to fans of the avant-garde (those who enjoy the work of Lynch or Jodorowsky, for example), but the whole thing is just too screwy for my (admittedly jaded) tastes. If I'm ever tempted to watch Death Laid An Egg again, I think I'll be getting myself some of those hallucinogenics I mentioned earlier, in order to make the whole experience more interesting.

I give DLAE 2/10 (just missing the absolute lowest score, thanks to tasty Ewa Aulin and the freaky genetically enhanced headless chickens).
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