Hey, wasn't that a great way to open the film - Ronald Reagan rides into view wearing that tin star, championing law and order and democracy. One of history's great ironic tributes to life imitating art.
Ultimately though, the film is largely a run of the mill Western, a notch above the 'B' programmers churned out incessantly from the 1940's and '50's. This one was done in color, so it gets some points for that, and it was admirable to see that the nominal comic relief character (Chubby Johnson as Denver) had guts enough to stand with Frame Johnson (Reagan) and his brothers when things got rough. By the time Jimmy (Russell Johnson) duped Denver to open the cell door, it seemed almost out of character for him to get taken like that.
You know, I got curious watching Reagan get on and off his horse. Twice when he dismounted, he did it by swinging his right leg over the saddle and sliding to the ground. The only time he mounted was from a raised deck where he was relatively level with the saddle. I'm wondering if Reagan might have been physically impaired during filming to allow for more mobility.
The other point has to do with brother Jimmy. Right after Lute (Alex Nicol) dies, it only takes about a minute for Jimmy to get staggering drunk at the bar downstairs. However when he's on the run from Cottonwood after being sprung from jail, he manages to down a whole bottle of tequila with no ill effects!
Some time during the '50's, and maybe earlier, it seemed to become the custom to show the best assets of a film's leading lady in profile. This is done extensively here with Dorothy Malone as Reagan's romantic interest, and to a lesser extent with Ruth Hampton's character. Somehow I don't think the ladies of the 1880's really looked like that, but who knows. At the same time though, Jeannie (Malone) had one of the picture's most memorable lines describing her man - "You're big and you're ugly and you're stupid, and I happen to be in love with you".
Ultimately though, the film is largely a run of the mill Western, a notch above the 'B' programmers churned out incessantly from the 1940's and '50's. This one was done in color, so it gets some points for that, and it was admirable to see that the nominal comic relief character (Chubby Johnson as Denver) had guts enough to stand with Frame Johnson (Reagan) and his brothers when things got rough. By the time Jimmy (Russell Johnson) duped Denver to open the cell door, it seemed almost out of character for him to get taken like that.
You know, I got curious watching Reagan get on and off his horse. Twice when he dismounted, he did it by swinging his right leg over the saddle and sliding to the ground. The only time he mounted was from a raised deck where he was relatively level with the saddle. I'm wondering if Reagan might have been physically impaired during filming to allow for more mobility.
The other point has to do with brother Jimmy. Right after Lute (Alex Nicol) dies, it only takes about a minute for Jimmy to get staggering drunk at the bar downstairs. However when he's on the run from Cottonwood after being sprung from jail, he manages to down a whole bottle of tequila with no ill effects!
Some time during the '50's, and maybe earlier, it seemed to become the custom to show the best assets of a film's leading lady in profile. This is done extensively here with Dorothy Malone as Reagan's romantic interest, and to a lesser extent with Ruth Hampton's character. Somehow I don't think the ladies of the 1880's really looked like that, but who knows. At the same time though, Jeannie (Malone) had one of the picture's most memorable lines describing her man - "You're big and you're ugly and you're stupid, and I happen to be in love with you".