This film received mixed reviews from critics and viewers alike, some embracing its "arty" and ambiguous sensibilities, while others were displeased with it's disconnection and aloofness. As for me, I find myself edging towards the former group as as certain this as being a rather interesting, intriguing, and fascinating film, albeit flawed.
The visuals are certainly the film's strongest aspect, with its moody lighting, saturated colors, bleak landscapes, and striking camera movements that are all hypnotic and mesmerizing. All of these elements accumulate into a despairing viewing of existentialism and fate - a character stands in a field and sees everything around him, but each direction he faces is the same dreary and gloomy destination.
The acting is also superb from the entire cast, with Whitaker providing a unique accent that adds to the quirkiness of his character. Stiles is actually quite good here as well, giving one of her best performances. Last, but not least, is the criminally underrated Jeremy Renner, who gives a reliable performance as always.
I was nervous after hearing talk of the plot's ambiguity and unsatisfactory nature, but I can happily say that it is fairly solid. The narrative has a strong sense of mystery, with even some plot twists to peak the viewer's interest. The pacing is, admittedly, glacially slow and this will indeed test the patience and attention-span of its viewer (despite being only 87 minutes long). In addition, I wouldn't say the plot was anything original, but it is involving due to its characters and the sense that there's something more lurking underneath the surface.
Those who enjoy character studies and mystery films may enjoy this hybrid of the two genres, which isn't a complete success but is executed in a very effective manner.
More contemplative than thrilling, this gets under the skin more than those adrenaline-pumping, yet hollow, thrillers studios are churching out now-a-days.
Solid Recommendation.
The visuals are certainly the film's strongest aspect, with its moody lighting, saturated colors, bleak landscapes, and striking camera movements that are all hypnotic and mesmerizing. All of these elements accumulate into a despairing viewing of existentialism and fate - a character stands in a field and sees everything around him, but each direction he faces is the same dreary and gloomy destination.
The acting is also superb from the entire cast, with Whitaker providing a unique accent that adds to the quirkiness of his character. Stiles is actually quite good here as well, giving one of her best performances. Last, but not least, is the criminally underrated Jeremy Renner, who gives a reliable performance as always.
I was nervous after hearing talk of the plot's ambiguity and unsatisfactory nature, but I can happily say that it is fairly solid. The narrative has a strong sense of mystery, with even some plot twists to peak the viewer's interest. The pacing is, admittedly, glacially slow and this will indeed test the patience and attention-span of its viewer (despite being only 87 minutes long). In addition, I wouldn't say the plot was anything original, but it is involving due to its characters and the sense that there's something more lurking underneath the surface.
Those who enjoy character studies and mystery films may enjoy this hybrid of the two genres, which isn't a complete success but is executed in a very effective manner.
More contemplative than thrilling, this gets under the skin more than those adrenaline-pumping, yet hollow, thrillers studios are churching out now-a-days.
Solid Recommendation.