I'll try to describe this without any blatant spoilers, but I'm going to divulge some details, which, it is my hope, will not ruin any aspects of the story for the first-time viewer.
I saw this movie three times in the theatres during it's initial USA release. I was in my early twenties and this movie really captured something that really spoke to me at the time. I was just so charmed by the infectious good feelings engendered in this movie and so delighted by the many visually stunning moments brought to life in vivid, brilliant and eye-popping color and the backdrop of the music was especially effective in reaching me at the time. The musical numbers were really strong, like, right from the first few moments, the first number by (the real Aussie band, headed up by former Split Enz member and total musical genius, Phil Judd) The Swingerz, "One Good Reason"/"Gimme Love", performed "live" in a club setting, with the edgy look and startling dancing going on, hit me like a punch in the gut and then I never looked back, once on the wild ride! I thought that what I was witnessing was the future, this was the beginning of something really smart, vibrant and way-cool! In a way it was, just a year or two later, Australian culture would storm the shores of the U.S. with INXS, Men At Work, Midnight Oil, Hoodoo Gurus, Mental As Anything and a host of other bands would put Australia on the map as a vibrant hot-bed of cool music and edgy culture forever. But, for me, it started with this movie, Star Struck.
The design and the look of this film, from the great look of the "Lizard Lounge" for the first couple of numbers, the kitchy and cool Harbor View Hotel, where Jackie and Angus lived, the awful disco scene of the "Wow! Show", the brilliant homage to the Busby Berkeley "By A Waterfall" number, in the roof-top swimming pool water ballet, the wonderful choreography of the "regulars" who drank at he Harbor View in "She's Got Body, She's Got Soul", to the against-all-odds guerrilla taking of the stage at the Opera House and the wonderful finale - I thought this truly original film was as visually stunning as it was musically forward-reaching. The undeniable enthusiasm of the stars to make it also hearkened back to particular themes, like, Mickey Rooney and Judy Garland putting on a show!
This film, first released in 1982, has held up pretty well. The heart and soul invested and genuine enthusiasm captured in following some young teens in their journey from starry- eye dreamers languishing in obscurity to their amazing triumph, awash in hysterical screams by the end, is so irresistibly infectious that I don't see how anyone could NOT love this movie!
My VHS copy had become pretty worn out and I was so glad to see that it was finally issued in the USA on a nice, two-disc DVD edition, with some wonderful extras, worthy of original. I will say that it took me the longest time to understand all of the dialogue, what with the heavy Australian accents and slang which was unfamiliar to me, but it was such a pleasure to view it over and over that I was happy to decipher every morsel!
I saw this movie three times in the theatres during it's initial USA release. I was in my early twenties and this movie really captured something that really spoke to me at the time. I was just so charmed by the infectious good feelings engendered in this movie and so delighted by the many visually stunning moments brought to life in vivid, brilliant and eye-popping color and the backdrop of the music was especially effective in reaching me at the time. The musical numbers were really strong, like, right from the first few moments, the first number by (the real Aussie band, headed up by former Split Enz member and total musical genius, Phil Judd) The Swingerz, "One Good Reason"/"Gimme Love", performed "live" in a club setting, with the edgy look and startling dancing going on, hit me like a punch in the gut and then I never looked back, once on the wild ride! I thought that what I was witnessing was the future, this was the beginning of something really smart, vibrant and way-cool! In a way it was, just a year or two later, Australian culture would storm the shores of the U.S. with INXS, Men At Work, Midnight Oil, Hoodoo Gurus, Mental As Anything and a host of other bands would put Australia on the map as a vibrant hot-bed of cool music and edgy culture forever. But, for me, it started with this movie, Star Struck.
The design and the look of this film, from the great look of the "Lizard Lounge" for the first couple of numbers, the kitchy and cool Harbor View Hotel, where Jackie and Angus lived, the awful disco scene of the "Wow! Show", the brilliant homage to the Busby Berkeley "By A Waterfall" number, in the roof-top swimming pool water ballet, the wonderful choreography of the "regulars" who drank at he Harbor View in "She's Got Body, She's Got Soul", to the against-all-odds guerrilla taking of the stage at the Opera House and the wonderful finale - I thought this truly original film was as visually stunning as it was musically forward-reaching. The undeniable enthusiasm of the stars to make it also hearkened back to particular themes, like, Mickey Rooney and Judy Garland putting on a show!
This film, first released in 1982, has held up pretty well. The heart and soul invested and genuine enthusiasm captured in following some young teens in their journey from starry- eye dreamers languishing in obscurity to their amazing triumph, awash in hysterical screams by the end, is so irresistibly infectious that I don't see how anyone could NOT love this movie!
My VHS copy had become pretty worn out and I was so glad to see that it was finally issued in the USA on a nice, two-disc DVD edition, with some wonderful extras, worthy of original. I will say that it took me the longest time to understand all of the dialogue, what with the heavy Australian accents and slang which was unfamiliar to me, but it was such a pleasure to view it over and over that I was happy to decipher every morsel!