Vera Farmiga (playing 'Fiona') and Nick Stahl (bringing 'Isaac' to life) get two endlessly interesting characters thrown their way by first timer Carlos Brooks, and they know what to do with the material. Fiona's part's the most fleshed out and she hands in the greatest performance I've seen in quite some time; I have to scrape some long term memories together to conclude I can't remember seeing an equally great performance in at least half a year, that one being Jason Patric's in 'Your Friends & Neighbors'.
'Quid Pro Quo' deals with a difficult subject, namely paralysis: Stahl's semi-paralyzed and confined to a wheelchair since involved in a brutal car-accident at age 8, during which he lost both his parents. He's a radio-journalist whose work one day brings him in contact with Fiona, she's charming, endearing and very sexy but she makes some unexpected revelations about herself: she feels she's a paralyzed person confined to an able body. We follow Nick as he further descends into the subculture and Brooks passes us some insights about paralysis along the way.
I couldn't help reminiscing about 'Spider ' and other Cronenbergs when viewing, QPQ's style's not totally unlike the fore-mentioned but if some reading at the moment fear 'boredom' (I would never dare to call Cronenberg 'boring' but I can understand why some might would be inclined to), I can assure you QPQ makes for a very accessible film.
You know how every great song seems to be over far too soon and how every time you eat a great meal the plate seems to be smaller than it used to be, well as interesting and entertaining as 'Quid Pro Quo' is, it could've used a cherry on top of the icing. Carlos's script does bravely take the road less traveled, I must admit to myself maybe a thriller dealing with the subject would've pleased me more. QPQ's a very pleasing (albeit not that deep) character drama, but I saw a brilliant thriller lurking inches underneath the surface. However, for a drama, QPQ 's surprisingly light on it's feet: no vast array of manipulative long shots of Isaac suffering from his condition, no indoctrination to the writer's vision. Instead we get 'Magic shoes', comedic bantering between Isaac and his doorman and a realistic ending. All of these elements, make the film very easy to watch yet it doesn't leave you feeling indifferent.
If you have a brain and a heart you'll enjoy this very fine debut by Carlos Brooks, I'd advise anyone with a passion for cinema to keep an eye on him.
'Quid Pro Quo' deals with a difficult subject, namely paralysis: Stahl's semi-paralyzed and confined to a wheelchair since involved in a brutal car-accident at age 8, during which he lost both his parents. He's a radio-journalist whose work one day brings him in contact with Fiona, she's charming, endearing and very sexy but she makes some unexpected revelations about herself: she feels she's a paralyzed person confined to an able body. We follow Nick as he further descends into the subculture and Brooks passes us some insights about paralysis along the way.
I couldn't help reminiscing about 'Spider ' and other Cronenbergs when viewing, QPQ's style's not totally unlike the fore-mentioned but if some reading at the moment fear 'boredom' (I would never dare to call Cronenberg 'boring' but I can understand why some might would be inclined to), I can assure you QPQ makes for a very accessible film.
You know how every great song seems to be over far too soon and how every time you eat a great meal the plate seems to be smaller than it used to be, well as interesting and entertaining as 'Quid Pro Quo' is, it could've used a cherry on top of the icing. Carlos's script does bravely take the road less traveled, I must admit to myself maybe a thriller dealing with the subject would've pleased me more. QPQ's a very pleasing (albeit not that deep) character drama, but I saw a brilliant thriller lurking inches underneath the surface. However, for a drama, QPQ 's surprisingly light on it's feet: no vast array of manipulative long shots of Isaac suffering from his condition, no indoctrination to the writer's vision. Instead we get 'Magic shoes', comedic bantering between Isaac and his doorman and a realistic ending. All of these elements, make the film very easy to watch yet it doesn't leave you feeling indifferent.
If you have a brain and a heart you'll enjoy this very fine debut by Carlos Brooks, I'd advise anyone with a passion for cinema to keep an eye on him.