I find it _extremely difficult to watch a movie or TV program filmed in false color.
The 'sepia' tint of 'journey to the end of the night' _immediately convinced me I wasn't interested in the plot.
When I walk out into my backyard every morning I see 'roy g. biv' colors provided by the Sun and expect to see those same natural colors in everything I view.
I think its a toss-up between CSI and the 'Matrix' movies for the advent of 'green' tinted filming which apparently provided the 'idea' for the red-shifted 'sepia' distraction in 'journey'.
It doesn't matter which filters directors and film editors use, its _still not real.
Raise your hand if you wondered why CSI's in Las Vegas walked out of _broad daylight into a house (crime scene) and _immediately turned on their _ever available hand-held flashlights rather than turn on the lights in a room ,or even _better, raise the shades.
Trying to set 'mood' with false color and 'shading' should have criminal charges attached.
The 'sepia' tint of 'journey to the end of the night' _immediately convinced me I wasn't interested in the plot.
When I walk out into my backyard every morning I see 'roy g. biv' colors provided by the Sun and expect to see those same natural colors in everything I view.
I think its a toss-up between CSI and the 'Matrix' movies for the advent of 'green' tinted filming which apparently provided the 'idea' for the red-shifted 'sepia' distraction in 'journey'.
It doesn't matter which filters directors and film editors use, its _still not real.
Raise your hand if you wondered why CSI's in Las Vegas walked out of _broad daylight into a house (crime scene) and _immediately turned on their _ever available hand-held flashlights rather than turn on the lights in a room ,or even _better, raise the shades.
Trying to set 'mood' with false color and 'shading' should have criminal charges attached.