I've always thought of Neil Simon as being the one playwright consistently able to capture the genuine flavor of New York as a backdrop to the realistic personalities of his characters. Not being a New Yorker - Silicon Valley is about as far away as you can get - I'm afraid I have not been drawn to movies of his plays as strongly as to other comedies.
But Prisoner of Second Avenue is an exception. Maybe it's because I am indeed in Silicon Valley, where layoffs are something we all get to experience. But this movie captured so aptly the craziness of being laid off, staying home all day - seeing only the one you love (but starting to hate him/her too as an extension of your own self-hatred). Making petty grievances huge, and trying to pretend the truly huge issues no longer exist. And worrying about the bills, and the clothes, and how silly the family behaves when money gets involved. And how the bad luck seems to snowball. And how "therapy" sessions seem so futile.
The acting is superb - but I don't know of a movie where Jack Lemmon and Anne Bancroft have ever given us any less. Bancroft, in particular, when she makes the transition to anger, is perfect. Thankfully we're not handed any sop at the end either.
The subject is so realistic that I don't find it funny at all - but that's a failing of the times we live in, not the movie. A great flick.
But Prisoner of Second Avenue is an exception. Maybe it's because I am indeed in Silicon Valley, where layoffs are something we all get to experience. But this movie captured so aptly the craziness of being laid off, staying home all day - seeing only the one you love (but starting to hate him/her too as an extension of your own self-hatred). Making petty grievances huge, and trying to pretend the truly huge issues no longer exist. And worrying about the bills, and the clothes, and how silly the family behaves when money gets involved. And how the bad luck seems to snowball. And how "therapy" sessions seem so futile.
The acting is superb - but I don't know of a movie where Jack Lemmon and Anne Bancroft have ever given us any less. Bancroft, in particular, when she makes the transition to anger, is perfect. Thankfully we're not handed any sop at the end either.
The subject is so realistic that I don't find it funny at all - but that's a failing of the times we live in, not the movie. A great flick.