An old-school Jackie Chan chop socky flick from prolific producer Lo Wei, Snake and Crane Arts of Shaolin sees the star playing Hsu Yin-Fung, a skillful martial artist (what else?) who attracts the attention of several clans when he reveals that he is in possession of 'Art of the Snake and Crane', a rare book written by the eight Shaolin Masters.
After lots of not particularly memorable bouts of fighting between Hsu Yin-Fung and various clan leaders (JC is both athletic and acrobatic, but the choreography lacks the inventiveness and attention to detail that can be found in his later HK work), it is revealed that our hero is deliberately flaunting his book in order to try and discover the identity of a man with a scarred shoulder who was responsible for killing all but one of the eight masters.
After much mayhem, and some rubbish about a dirty faced ragamuffin who turns out to be the daughter of one of the clan leaders, the villain's identity is finally revealed, and Hsu Yin-Fung does battle against the bad guy and his hired killersa trio of tough nuts wielding a variety of weapons. The action in these closing fight scenes is terrific, and makes ploughing through the earlier rather repetitive action and weak comedy worthwhile.
After lots of not particularly memorable bouts of fighting between Hsu Yin-Fung and various clan leaders (JC is both athletic and acrobatic, but the choreography lacks the inventiveness and attention to detail that can be found in his later HK work), it is revealed that our hero is deliberately flaunting his book in order to try and discover the identity of a man with a scarred shoulder who was responsible for killing all but one of the eight masters.
After much mayhem, and some rubbish about a dirty faced ragamuffin who turns out to be the daughter of one of the clan leaders, the villain's identity is finally revealed, and Hsu Yin-Fung does battle against the bad guy and his hired killersa trio of tough nuts wielding a variety of weapons. The action in these closing fight scenes is terrific, and makes ploughing through the earlier rather repetitive action and weak comedy worthwhile.