When it came to "trick films" of the early 1900s, Frenchman Georges Méliès was the clear forerunner, not only for his two major masterpieces {'A Trip to the Moon (1902)' and 'The Impossible Voyage (1904)'}, but also his huge catalogue of minor gimmick shorts, a cinematic extension of his stage magician acts. On the other side of the Atlantic, director Stuart J. Blackton must surely have been the American equivalent, most notable for producing perhaps the first ever animated cartoon {see 'Humorous Phases of Funny Faces (1906)' or perhaps even 'The Enchanted Drawing (1900)'}. 'The Thieving Hand (1908)' is impressive because, above all else, it is most concerned with its story, something akin to what Chaplin would be doing a few years later, and tries carefully to keep the camera tricks mostly substitution cuts as inconspicuous as possible. The film has recently been restored from its only surviving copy, and is accessible on the excellent "Treasures from the American Film Archives" DVD, albeit minus the final seconds, which are believed lost.
When a one-armed street-peddler graciously returns a lost ring to a grateful philanthropist, he unwittingly discovers that every blessing is a disaster in disguise. The man is rewarded with an expensive mechanical arm from the local "limb store," but it doesn't take long for him to realise that this new appendage has been programmed with a life of its own. As the peddler honestly goes about his daily business, his left hand discreetly pick-pockets every passer-by, eventually getting him in trouble with the authorities. It is only after he is thrown into a jail cell that the criminal hand reveals its origin, and the reason for its unlawful habit. All this surreal craziness is played out with a surprisingly straight face, as though it's not entirely unusual to see a dismembered arm scooting purposefully across the floor (this particular effect was achieved with wires). A successful attempt to blend a comic narrative with early visual effects, 'The Thieving Hand' is a very enjoyable five minute interlude it also foreshadows Dr. Strangelove's maniacal Nazi arm.
When a one-armed street-peddler graciously returns a lost ring to a grateful philanthropist, he unwittingly discovers that every blessing is a disaster in disguise. The man is rewarded with an expensive mechanical arm from the local "limb store," but it doesn't take long for him to realise that this new appendage has been programmed with a life of its own. As the peddler honestly goes about his daily business, his left hand discreetly pick-pockets every passer-by, eventually getting him in trouble with the authorities. It is only after he is thrown into a jail cell that the criminal hand reveals its origin, and the reason for its unlawful habit. All this surreal craziness is played out with a surprisingly straight face, as though it's not entirely unusual to see a dismembered arm scooting purposefully across the floor (this particular effect was achieved with wires). A successful attempt to blend a comic narrative with early visual effects, 'The Thieving Hand' is a very enjoyable five minute interlude it also foreshadows Dr. Strangelove's maniacal Nazi arm.