Network: Fox; Genre: Sitcom; Content Rating: TV-14 (adult content, language); Perspective: contemporary (star range: 1 4);
Seasons Reviewed: Series (1 season)
Without the on-screen appearance of creator/writer Seth MacFarlane during promos for the pilot episode of "The Winner", the show might have gone unseen and unheard in a forest of obnoxious laugh-track riddled Fox sitcoms. MacFarlane has become a minor celebrity as the creator of the increasingly undeserving, under-performing neoclassic "Family Guy" as well as "American Dad". "Winner" is MacFarlane venturing out of his animated comfort zone, arrogantly thinking his involvement with such a trite sitcom is going to make it worth watching. Instead of parodying those obnoxious 80s/90s sitcoms or homaging them through an absurd cartoon lens, "Winner" is an unpleasant reminder of those days of childish leading men, cheesy sitcom sets and over-caffeinated studio audiences.
It's hard to even describe the half-baked plot of "The Winner". There appears to be no rhyme or reason for why anything is the way it is. We start with a still photo of a mansion and our hero, Glen (Rob Corddry) narrates from the present day as if we need an assurance that he won't always be a loser, then sends us back to the early 90s the pilot takes place during the O.J. Simpson white bronco freeway chase to show him as a sheltered, naïve man-child living with his parents (Lenny Clarke, get back to "Rescue Me", and Irene Hart) smothering him. One day Glen meets the impossibly beautiful Erinn Hayes as a neighbor and single mom, his childish ways finds him bonding with her child and into her life.
Simply nothing about the show works. The arrested development, mismatched unrequited love story has been done to death. The parents, the love interest, the friends all cliché archetypes of sitcoms past. There's a bizarre, creepy element to the relationship between Corddry and the neighbor's son which MacFarlane plays up for cheap laughs. There is no reason for the show to be a 90s "period piece" given how many contemporary anachronisms rear their heads in the middle of the action (check out the movies of the future in the video store where Glen works). Jokes are retread from better shows that referenced those events back when they happened. Think "Seinfeld's" numerous takes on the OJ trial. Usually the sidekick and not the star, Corrdry takes center stage here, where his painfully unfunny act can no longer be ignored and it is evident that whoever told the guy he was funny in the first place deserves a long bout in solitary to think about what they've done. Corrdry does a lot of smiling and mugging for the camera here while the "audience" wildly overreacts to everything on screen as if in on a joke that we aren't or properly lubricated by a warm-up act working miracles.
On the back of "Family Guy's" post-resurrection creative slump, "The Winner" is not what MacFarlane needs. It's a lazy work from a guy once touted as the hip, young blood needed to jump-start the Fox network. "Winner" is proof that MacFarlane is a guy who needs to be told "no" by a network that shouldn't have let this unbearably embarrassing Frankenstein's monster of a creation see the light of day.
*/ 4
Seasons Reviewed: Series (1 season)
Without the on-screen appearance of creator/writer Seth MacFarlane during promos for the pilot episode of "The Winner", the show might have gone unseen and unheard in a forest of obnoxious laugh-track riddled Fox sitcoms. MacFarlane has become a minor celebrity as the creator of the increasingly undeserving, under-performing neoclassic "Family Guy" as well as "American Dad". "Winner" is MacFarlane venturing out of his animated comfort zone, arrogantly thinking his involvement with such a trite sitcom is going to make it worth watching. Instead of parodying those obnoxious 80s/90s sitcoms or homaging them through an absurd cartoon lens, "Winner" is an unpleasant reminder of those days of childish leading men, cheesy sitcom sets and over-caffeinated studio audiences.
It's hard to even describe the half-baked plot of "The Winner". There appears to be no rhyme or reason for why anything is the way it is. We start with a still photo of a mansion and our hero, Glen (Rob Corddry) narrates from the present day as if we need an assurance that he won't always be a loser, then sends us back to the early 90s the pilot takes place during the O.J. Simpson white bronco freeway chase to show him as a sheltered, naïve man-child living with his parents (Lenny Clarke, get back to "Rescue Me", and Irene Hart) smothering him. One day Glen meets the impossibly beautiful Erinn Hayes as a neighbor and single mom, his childish ways finds him bonding with her child and into her life.
Simply nothing about the show works. The arrested development, mismatched unrequited love story has been done to death. The parents, the love interest, the friends all cliché archetypes of sitcoms past. There's a bizarre, creepy element to the relationship between Corddry and the neighbor's son which MacFarlane plays up for cheap laughs. There is no reason for the show to be a 90s "period piece" given how many contemporary anachronisms rear their heads in the middle of the action (check out the movies of the future in the video store where Glen works). Jokes are retread from better shows that referenced those events back when they happened. Think "Seinfeld's" numerous takes on the OJ trial. Usually the sidekick and not the star, Corrdry takes center stage here, where his painfully unfunny act can no longer be ignored and it is evident that whoever told the guy he was funny in the first place deserves a long bout in solitary to think about what they've done. Corrdry does a lot of smiling and mugging for the camera here while the "audience" wildly overreacts to everything on screen as if in on a joke that we aren't or properly lubricated by a warm-up act working miracles.
On the back of "Family Guy's" post-resurrection creative slump, "The Winner" is not what MacFarlane needs. It's a lazy work from a guy once touted as the hip, young blood needed to jump-start the Fox network. "Winner" is proof that MacFarlane is a guy who needs to be told "no" by a network that shouldn't have let this unbearably embarrassing Frankenstein's monster of a creation see the light of day.
*/ 4