5/10
Les Cabiniers
22 October 2008
Warning: Spoilers
While watching Les Carabiniers it is immediately evident that Godard is making a statement in an individualistic way. Is it a satirical portrait of society at war, a black comedy poking fun at realistic drama, or an experimental project through which Godard exercising his right to redefine himself and his cinematic style? The film is undeniably a combination of all three. Two military officers arrive at a shack which, surrounded by barren land in every direction, is home to two men and their supposed wives. The officers blind the foursome with promises of riches and glory stating, "in the current times… the police should learn to distract the population." The two men enlist and trot off to war, eager to "slaughter the innocent" and learn of "worldly women". A series of detached scenes ensues, illustrating the nature of war as the duo execute their plan to murder and misuse. Postcards arrive at home telling the women of their bloody exploits. The absurdity of war is made clear by the end of the film when the King loses the war, the men return home penniless, and life goes on much as it did before – perhaps with a slightly more bitter tinge. While the film makes a political statement it is perhaps not as enjoyable to watch if one is not well versed in or highly admirable of Godard's work.
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