I've read all the reviews of this film and wonder at some of them. I wonder why people think women's films are somehow exclusive to women, that men would not understand them. I wonder why others think a chick flick is somehow inferior to so called male films.
Women's films represent the most critical event in human relationships. We need to understand dreams, broken dreams, promises, broken promises, aspirations, reduced aspirations, truth between people, lies we tell, moral paths followed, moral paths abandoned, elation, depression, acceptance, rejection, power and pain. That's quite a list to get into about 90 minutes.
This film centers around 2 women who have endured a prickly relationship. Iris (Sally Field) divorced her husband after 26 years of marriage because she was bored with him and had an affair. The film makes clear that she made a mistake in not accepting 1/2 his net worth and alimony. Because she was "stupid", she took job housekeeping for a woman (Paula -- Judy Davis) who was brittle, unfeeling, arrogant, bossy and hopelessly unsympathetic to what Field might be going through (which included debt that would make most of us think of bankruptcy). Iris will endure almost anything except intrusion into her life.
That is the beginning of her introduction to the problems of humanity. Field cares enough about her to become angry and correct her (Paula). The film gently shifts as Iris declares her own needs. Iris begins to distance herself from Paula by developing outside interests, and in so doing strengthens herself to deal with Paula's collapse when her husband leaves her.
Paula must at last face herself, and what she sees is devastatingly destructive in its thoroughness. Her pain consumes her. Iris treats her with compassion, though Paula does not think so. She forces by constant nagging to get Paula out and their friendship such as it is, develops through anger to a deep honesty.
In the end, this film is about failure, about betrayed trust, about ignoring the reality of current circumstances, about getting up off the floor and breathing in and breathing out (as Tom Hanks said), about making the best of what is near us. It does not take divorce and pain to reach that conclusion. It takes only recognition of our own humanity.
Women's films represent the most critical event in human relationships. We need to understand dreams, broken dreams, promises, broken promises, aspirations, reduced aspirations, truth between people, lies we tell, moral paths followed, moral paths abandoned, elation, depression, acceptance, rejection, power and pain. That's quite a list to get into about 90 minutes.
This film centers around 2 women who have endured a prickly relationship. Iris (Sally Field) divorced her husband after 26 years of marriage because she was bored with him and had an affair. The film makes clear that she made a mistake in not accepting 1/2 his net worth and alimony. Because she was "stupid", she took job housekeeping for a woman (Paula -- Judy Davis) who was brittle, unfeeling, arrogant, bossy and hopelessly unsympathetic to what Field might be going through (which included debt that would make most of us think of bankruptcy). Iris will endure almost anything except intrusion into her life.
That is the beginning of her introduction to the problems of humanity. Field cares enough about her to become angry and correct her (Paula). The film gently shifts as Iris declares her own needs. Iris begins to distance herself from Paula by developing outside interests, and in so doing strengthens herself to deal with Paula's collapse when her husband leaves her.
Paula must at last face herself, and what she sees is devastatingly destructive in its thoroughness. Her pain consumes her. Iris treats her with compassion, though Paula does not think so. She forces by constant nagging to get Paula out and their friendship such as it is, develops through anger to a deep honesty.
In the end, this film is about failure, about betrayed trust, about ignoring the reality of current circumstances, about getting up off the floor and breathing in and breathing out (as Tom Hanks said), about making the best of what is near us. It does not take divorce and pain to reach that conclusion. It takes only recognition of our own humanity.