Helen Mirren's complex and mesmerizing Oscar-winning performance anchors THE QUEEN, an intimate story told on a grand scale, documenting, in what could only be a blend of fact and speculation, the movements of the royal family, Queen Elizabeth II in particular, during the days following Princess Diana's death. Peter Morgan's uncompromising screenplay hypothesizes much of the Queen's thoughts and emotions during this difficult period as this story takes us into extremely private moments with the conflicted monarch of which no one could be privy, but basically, this story portrays the Queen as an icy and cold-hearted harridan who is curiously unmoved by Diana's death and does nothing to publicly grieve or acknowledge the Princess, who by this time, was already divorced from Prince Charles and had basically turned her back on the Royal family. The film shows how Englanders' begin to public air they resentment of the Queen for her actions, or lack thereof, and her battle of wills with Prime Minister Tony Blair, who tirelessly advocated that the Queen acknowledge Diana publicly and what she had come to mean to the rest of the world as "the People's Princess." Stephen Frears' bold direction does not sugar coat the screenplay, which doesn't necessarily paint the title figure in a flattering light, but puts a human face on this mysterious icon. Mirren's delicately nuanced performance is breathtaking and Michael Sheen (FROST/NIXON)proves to be a formidable screen presence in his interpretation of Tony Blair. Mention should also be made of James Cromwell as Prince Phillip and Sylvia Syms as the Queen Mother, who also make the most of their screen time, but it is the bold screenplay and Mirren's artistry that make this film sing.
