Director Baz Luhrmann makes big movies, grand and epic size movies. This giant scale film chronically the very birth of Australia itself has a lot going on. You may remember Luhrmann from Moulin Rouge - which is how he ended up with Nicole Kidman in this movie. When you sit down to let the swell of the music grab you for the cinematic spectacle he calls Australia hold on and make sure your drink is filled. You're about to encounter every type of movie magic that Luhrmann can muster.
Like his previous work this film feels gaudy and self aggrandizing but in the most sincerest way. There is no doubt that you're being beaten over the head with style and the most artsy way to tell a story. The screen is filled with looks of longing and heart felt passion of either person, thing or place. While watching you will also feel as though you have seen every movie cliché possible. Is that wrong? Most of the great movie epics have this dated sort of feeling about them. An almost, "did they really feel that way back then" kind of feeling. Luhrmann certainly accomplishes adding feeling to Australia.
There is a lot of weight in the film with some pretty heavy situations that exist and while the film is not in any way a downer, it is campy. The World War II elements of tearing apart the country to the romance between our main characters is wholly campy. Every scene seems to be filtered through a magic romantic lens that see things with a fond remembrance. When Lady Sarah (Nicole Kidman) arrives in Australia she transforms into a ranch hand. Then as music booms on the screen she joins forces with Drover (Hugh Jackman) when raiders try to take her land and then she herds some 2000 cattle across hundreds of miles. An epic journey for such an epic looking film.
There are some moments of the film in which I wish the excessive drama could have found its way to the cutting room floor. As for the images on the screen, it is a wonderful execution from cinematographer Mandy Walker. Australia is monumental and after two hours and 45 minutes you will have had a full meal of film theater experience melodrama with no excuses. Eat up!
Like his previous work this film feels gaudy and self aggrandizing but in the most sincerest way. There is no doubt that you're being beaten over the head with style and the most artsy way to tell a story. The screen is filled with looks of longing and heart felt passion of either person, thing or place. While watching you will also feel as though you have seen every movie cliché possible. Is that wrong? Most of the great movie epics have this dated sort of feeling about them. An almost, "did they really feel that way back then" kind of feeling. Luhrmann certainly accomplishes adding feeling to Australia.
There is a lot of weight in the film with some pretty heavy situations that exist and while the film is not in any way a downer, it is campy. The World War II elements of tearing apart the country to the romance between our main characters is wholly campy. Every scene seems to be filtered through a magic romantic lens that see things with a fond remembrance. When Lady Sarah (Nicole Kidman) arrives in Australia she transforms into a ranch hand. Then as music booms on the screen she joins forces with Drover (Hugh Jackman) when raiders try to take her land and then she herds some 2000 cattle across hundreds of miles. An epic journey for such an epic looking film.
There are some moments of the film in which I wish the excessive drama could have found its way to the cutting room floor. As for the images on the screen, it is a wonderful execution from cinematographer Mandy Walker. Australia is monumental and after two hours and 45 minutes you will have had a full meal of film theater experience melodrama with no excuses. Eat up!