Kudos to Christine Moore for how she put together the Nadia episode of The Beast on A&E with Patrick Swayze. If she ever needs a demo reel of how extraordinarily good she can be, this one surely is it.
An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.
I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.
Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!
Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.
May they both go to showbiz heaven for that.
An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.
I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.
Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!
Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.
May they both go to showbiz heaven for that.