We are on the German/Belgian border in 1944 and a group of German soldiers are holed up in a bunker trying to survive. But just as they find a tunnel system underneath the bunker, and the enemies outside are closing in, they suspect that something very sinister is down there with them......
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10