Soraya's husband Ali has tired of Soraya after having four children with her, and wants to marry the 14-year-old daughter of one of his prisoners. He can't afford two wives, so he demands a divorce from Soraya, who refuses for economic reasons. Instead, Ali conspires with the local mullah — a fraud who has to keep Ali from exposing him — to frame Soraya for infidelity. The "evidence" is laughably transparent, but as Soraya notes in the film, "voices of women do not matter here".
Her aunt Zahra, played by Shohreh Aghdashloo, provides the central voice for the film. It's mostly told in flashback as she explains what happened to the journalist who only came to town because his car broke down. Aghdashloo provides the voice of conscience and reason in a town gone mad, a village where Soraya's own father calls her an unprintable name and where her sons join in the stoning. Even with most of the film in subtitles, it is easy to follow and heartbreaking and enraging to watch.
The performances are universally excellent. Aghdashloo, an Iranian ex-patriate herself, brings Zahra and her defiance and despair to life. Mozhan Marno portrays Soraya beautifully, especially in the execution scene. Jim Caveziel plays the journalist, and while he doesn't get much screen time, he does well with what he has. The villagers are portrayed with surprising nuance. Navid Negahban provides a malevolent presence as Ali, while David Diaan's Ebrahim winds up being perhaps the worst of the villains — a good man who refuses to stop an injustice he knows to be happening.
It's brilliant, infuriating, sad, powerful, and oddly enough, ends on a somewhat uplifting note.
Her aunt Zahra, played by Shohreh Aghdashloo, provides the central voice for the film. It's mostly told in flashback as she explains what happened to the journalist who only came to town because his car broke down. Aghdashloo provides the voice of conscience and reason in a town gone mad, a village where Soraya's own father calls her an unprintable name and where her sons join in the stoning. Even with most of the film in subtitles, it is easy to follow and heartbreaking and enraging to watch.
The performances are universally excellent. Aghdashloo, an Iranian ex-patriate herself, brings Zahra and her defiance and despair to life. Mozhan Marno portrays Soraya beautifully, especially in the execution scene. Jim Caveziel plays the journalist, and while he doesn't get much screen time, he does well with what he has. The villagers are portrayed with surprising nuance. Navid Negahban provides a malevolent presence as Ali, while David Diaan's Ebrahim winds up being perhaps the worst of the villains — a good man who refuses to stop an injustice he knows to be happening.
It's brilliant, infuriating, sad, powerful, and oddly enough, ends on a somewhat uplifting note.