Suspense had the niceness of taking its audience into many countries
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WOMAN IN LOVE is a story from the '50s communist Hungary—as often, the name of the protagonist is a funny one—Alexia Constancia, for a Hungarian babe . Alexia wants to rejoin her Swedish fiancé; the asset of this episode is a small role by Newman as a subversive military. Newman is especially wooden, isn't he?
In MONSIEUR VIDOCQ, the Parisian characters speak English with a strong French accent. It could be called a piece of rubbish Holmesploitation—and we remember that Doyle read Gaboriau . Otherwise, it's a nasty, silly defamatory piece. Van Rooten is nice as Vidocq.
WOMAN IN LOVE is a story from the '50s communist Hungary—as often, the name of the protagonist is a funny one—Alexia Constancia, for a Hungarian babe . Alexia wants to rejoin her Swedish fiancé; the asset of this episode is a small role by Newman as a subversive military. Newman is especially wooden, isn't he?
In MONSIEUR VIDOCQ, the Parisian characters speak English with a strong French accent. It could be called a piece of rubbish Holmesploitation—and we remember that Doyle read Gaboriau . Otherwise, it's a nasty, silly defamatory piece. Van Rooten is nice as Vidocq.