Dick Powell's a detective again in To The Ends Of The Earth though his name here isn't Richard Diamond or Philip Marlowe. Instead he's what we would now call a DEA agent though that agency didn't exist back in those days. He works for the Treasury's Narcotics Enforcement Unit and a mystery involving a really large stash of opium takes him around the world and literally To The Ends Of The Earth in solving it.
The film is narrated by Powell and this Columbia film is very similar in style to those 20th Century Fox documentary classics The House On 92nd Street and The Street With No Name from Henry Hathaway. The director is Robert Stevenson who is far more familiar to viewers for his later exclusive work for Walt Disney studios in such things as Old Yeller and Mary Poppins. You can hardly believe the same guy directed those items as well as To The Ends Of The Earth.
Powell almost circumnavigates the globe, starting out in San Francisco and then going to Shanghai, Cairo, Beirut, Havana, and finally New York in pursuit of an international narcotics smuggling gang. The story takes place in the pre-World War II years while Japan occupied Manchuria. The most ridiculous part of the film is the notion that the Japanese are behind the opium trade as part of their war policy though the gang is certainly international enough.
What makes the film relevant for today is the plea for international cooperation to put an end to the drug trade. In fact this film was one of the to even talk about drug addiction, a problem not mentionable under The Code. Opium dependence knows no borders, respects no nationalities.
The film will also have a surprise ending that you might not expect coming. The only hint is a bit showing a portrait of who turns out to be the chief villain. The artist's interpretation of said villain screams out who's behind it all.
Powell gets good support from Signe Hasso, Ludwig Donath, Vladimir Sokoloff and Maylia in telling roles. To The Ends Of The Earth is one of the best films Dick Powell made in his post musical period, don't miss it if you can.
The film is narrated by Powell and this Columbia film is very similar in style to those 20th Century Fox documentary classics The House On 92nd Street and The Street With No Name from Henry Hathaway. The director is Robert Stevenson who is far more familiar to viewers for his later exclusive work for Walt Disney studios in such things as Old Yeller and Mary Poppins. You can hardly believe the same guy directed those items as well as To The Ends Of The Earth.
Powell almost circumnavigates the globe, starting out in San Francisco and then going to Shanghai, Cairo, Beirut, Havana, and finally New York in pursuit of an international narcotics smuggling gang. The story takes place in the pre-World War II years while Japan occupied Manchuria. The most ridiculous part of the film is the notion that the Japanese are behind the opium trade as part of their war policy though the gang is certainly international enough.
What makes the film relevant for today is the plea for international cooperation to put an end to the drug trade. In fact this film was one of the to even talk about drug addiction, a problem not mentionable under The Code. Opium dependence knows no borders, respects no nationalities.
The film will also have a surprise ending that you might not expect coming. The only hint is a bit showing a portrait of who turns out to be the chief villain. The artist's interpretation of said villain screams out who's behind it all.
Powell gets good support from Signe Hasso, Ludwig Donath, Vladimir Sokoloff and Maylia in telling roles. To The Ends Of The Earth is one of the best films Dick Powell made in his post musical period, don't miss it if you can.