I'm getting to be really sick of reading review after review of "District 9" praising it as a revelatory masterwork of great depth with superb social commentary to boot. It's not, and if this is what cerebral science fiction now is, that's very sad news for those of us who have devoted hours and hours and hours of our life to that great genre. "District 9", however, is an example of what action SF should aspire to. The content is substantial enough for the film to earn its desired emotional weight, the satire clever and incisive, the action very well-executed, the story fairly well though-out, and the delivery and construction of the film clever and powerful.
In short, this is what you'd want from an expensive genre production. It's a smart crowd-pleaser but also a fairly smart narrative in its own right. Criticisms of the movie's action-packed final act make little sense, as the entire film is paced as a thriller, and while there's no question the first two thirds are less chaotic and probably a great deal more focused than the last third, the transition is quite seamless and fits in perfectly. It's enough to sell the movie as 'cool' to sell tickets, but also part of the story and if not totally necessary that the scenes drag on for as long as they do (and that's really the movie's only major fault, there are too many contrivances leading up to explosions and badass weaponry), then at least they fit somewhat organically into the narrative. Sharlto Copley plays the lead extremely well, and he's apparently never acted in a movie before! Not bad, not bad.
The characters are pretty well-drawn overall, which is important in selling this sort of film. For once praising the effects is praising character, as the 'prawns' here become very sympathetic and convincing, convincing enough that in the crucial scenes you're not really always thinking 'that's fake' in the back of your head. The story is simple (Aliens come to earth. Aliens are forced into slums and camps and an apartheid system. The rest of the narrative isn't really worth spoiling), but is delivered in an interesting style which mixes faux-documentary and fiction narrative.
Neill Blomkamp's debut as feature film director is extremely impressive. His handling of tone is remarkable, the ugly, bleak, and totally miserable mixes seamlessly with vicious satire and even some sillier comedic moments, and exciting, coherent action. He is destined for a great future in the film industry, and based on the overwhelming reaction to this film over the weekend, this might come to be known as one of the great mainstream debut features. It's not totally flawless, not at all, and one gets the nagging feeling that concessions to the mainstream derail the film a bit, but overall it's just a great roller-coaster ride, and a damned good effort from everyone involved from the director to the actors to the effects folk. It also possibly makes more of its relatively small budget than any other film I can think of. Very impressive film.
In short, this is what you'd want from an expensive genre production. It's a smart crowd-pleaser but also a fairly smart narrative in its own right. Criticisms of the movie's action-packed final act make little sense, as the entire film is paced as a thriller, and while there's no question the first two thirds are less chaotic and probably a great deal more focused than the last third, the transition is quite seamless and fits in perfectly. It's enough to sell the movie as 'cool' to sell tickets, but also part of the story and if not totally necessary that the scenes drag on for as long as they do (and that's really the movie's only major fault, there are too many contrivances leading up to explosions and badass weaponry), then at least they fit somewhat organically into the narrative. Sharlto Copley plays the lead extremely well, and he's apparently never acted in a movie before! Not bad, not bad.
The characters are pretty well-drawn overall, which is important in selling this sort of film. For once praising the effects is praising character, as the 'prawns' here become very sympathetic and convincing, convincing enough that in the crucial scenes you're not really always thinking 'that's fake' in the back of your head. The story is simple (Aliens come to earth. Aliens are forced into slums and camps and an apartheid system. The rest of the narrative isn't really worth spoiling), but is delivered in an interesting style which mixes faux-documentary and fiction narrative.
Neill Blomkamp's debut as feature film director is extremely impressive. His handling of tone is remarkable, the ugly, bleak, and totally miserable mixes seamlessly with vicious satire and even some sillier comedic moments, and exciting, coherent action. He is destined for a great future in the film industry, and based on the overwhelming reaction to this film over the weekend, this might come to be known as one of the great mainstream debut features. It's not totally flawless, not at all, and one gets the nagging feeling that concessions to the mainstream derail the film a bit, but overall it's just a great roller-coaster ride, and a damned good effort from everyone involved from the director to the actors to the effects folk. It also possibly makes more of its relatively small budget than any other film I can think of. Very impressive film.